The photograph shows the use of spliced frames, "split frames." Split frames were sawed on the band saw. "Every boat around here was built that way." They would bend the frames in. "The timber goes down in the gain socket." - Ralph Stanley, March 4, 2013.
Description: The photograph shows the use of spliced frames, "split frames." Split frames were sawed on the band saw. "Every boat around here was built that way." They would bend the frames in. "The timber goes down in the gain socket." - Ralph Stanley, March 4, 2013.
This collection of documents contains letters and information about rum running, bootleggers, and their vessels, sent to and from Howe D. Higgins during his time as a customs officer. These documents have been indexed with their dates and the vessels or people they reference.
Description: This collection of documents contains letters and information about rum running, bootleggers, and their vessels, sent to and from Howe D. Higgins during his time as a customs officer. These documents have been indexed with their dates and the vessels or people they reference.
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
United States Postal Service
1920
Plymouth MA
Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885)
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
Publisher:
United States Postal Service
Date:
1920
Place:
Plymouth MA
State:
MA
Source:
Southwest Harbor Public Library Collection of Photographs
Description: Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885) [show more]
Little Island is visible behind the sinking vessel. The photograph was taken from the area of the Addison / Stinson packing plant wharf at 11 Apple Lane.
Description: Little Island is visible behind the sinking vessel. The photograph was taken from the area of the Addison / Stinson packing plant wharf at 11 Apple Lane.
Little Island is visible behind the sinking vessel. The photograph was taken from the area of the Addison / Stinson packing plant wharf at 11 Apple Lane.
Description: Little Island is visible behind the sinking vessel. The photograph was taken from the area of the Addison / Stinson packing plant wharf at 11 Apple Lane.
Left to right: Fred Cutter Parker Melissa C. Lawton Jack Cutter Parker William Edwin Parker The little girl is Millie Lawton - she would have been about nine years old when this picture was taken.
Description: Left to right: Fred Cutter Parker Melissa C. Lawton Jack Cutter Parker William Edwin Parker The little girl is Millie Lawton - she would have been about nine years old when this picture was taken.
"Harvard Riley Beal’s (1897-1967) bait scow is at the far left. The fully canvassed boat behind the rigging on the left was “Frolic,” Harold L. Wedge’s (1912-1986) passenger launch. The dark boat in the right middle belonged to Leslie Stanwood King (1879-1936) who ran fish and rum in it. Spray hood boat on the far right, partly out of the picture, was Grover Ambrose Morse’s (1885-1960) boat, built by Lewis Melvin Candage (1867-1950)."
Description: "Harvard Riley Beal’s (1897-1967) bait scow is at the far left. The fully canvassed boat behind the rigging on the left was “Frolic,” Harold L. Wedge’s (1912-1986) passenger launch. The dark boat in the right middle belonged to Leslie Stanwood King (1879-1936) who ran fish and rum in it. Spray hood boat on the far right, partly out of the picture, was Grover Ambrose Morse’s (1885-1960) boat, built by Lewis Melvin Candage (1867-1950)." [show more]