George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier.
Description: George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier. [show more]
The photograph of himself that Edward is holding was taken by an unknown photographer in 1974. Northwood posed for this picture standing in his front yard. His cat Misty is at the far left behind him. Northwood was 90 and Misty was 18 when this picture was taken.
Description: The photograph of himself that Edward is holding was taken by an unknown photographer in 1974. Northwood posed for this picture standing in his front yard. His cat Misty is at the far left behind him. Northwood was 90 and Misty was 18 when this picture was taken.
To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules
Description: To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules [show more]
The Tea House was destroyed in the 1947 Bar Harbor Fire. Eleanor Morgan Satterlee gave the property to Acadia National Park in 1949. Park employees later cleaned the rubble. This photograph shows all that is left of the Satterlee Tea House in 2015.
Description: The Tea House was destroyed in the 1947 Bar Harbor Fire. Eleanor Morgan Satterlee gave the property to Acadia National Park in 1949. Park employees later cleaned the rubble. This photograph shows all that is left of the Satterlee Tea House in 2015.
Cranberry Isles, Little Cranberry Island, Islesford
Illuminated by 23 volunteer light painters. For years these boathouses had been used to build, store, and repair boats. Now all but one have been convert to private residences. There is one boathouse protecting a 100 year old 'friendship sloop' and still has the underwater rails intact.
Cranberry Isles, Little Cranberry Island, Islesford
State:
ME
Description: Illuminated by 23 volunteer light painters. For years these boathouses had been used to build, store, and repair boats. Now all but one have been convert to private residences. There is one boathouse protecting a 100 year old 'friendship sloop' and still has the underwater rails intact.
The Bicycle Shop was moved and finally remodeled as the Herrick Building at 45 Clark Point Road next to the William Edgar and Fanny Carnes (Harmon) Herrick House, at 43 Clark Point Road. Both building are now gone.
Description: The Bicycle Shop was moved and finally remodeled as the Herrick Building at 45 Clark Point Road next to the William Edgar and Fanny Carnes (Harmon) Herrick House, at 43 Clark Point Road. Both building are now gone.
The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph.
Description: The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph. [show more]