Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols, Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 321. The illustrations in the Harper's article, with one exception, are those used again in “Nooks and Corners of the New England Coast” by Samuel Adams Drake, Harper & Brothers, Publishers, New York, 1875. “Superbly illustrated by eminent American artists.” – From an advertisement by Harper & Brothers – The Nation, July 15, 1875, p. 47.
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols, Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 321. The illustrations in the Harper's article, with one exception, are those used again in “Nooks and Corners of the New England Coast” by Samuel Adams Drake, Harper & Brothers, Publishers, New York, 1875. “Superbly illustrated by eminent American artists.” – From an advertisement by Harper & Brothers – The Nation, July 15, 1875, p. 47. [show more]
Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 332.
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 332.
"Even more dramatic is Fenn’s view of the Maine coast, ‘The Spouting Horn’ in a Storm,” with the mast of a wrecked ship, an example of the sublime associated with danger and man’s weakness in face of nature’s power. The metaphor of battle to describe the confrontation of sea and rocky coast had become a literary convention used by several Picturesque America writers." – Part of the author’s discussion of 19th century artists who added drama to what they saw when illustrating it, before the advent of photography. - "Creating picturesque America: Monument to the Natural and Cultural Landscape" by Sue Rainey, Vanderbilt University Press, 1994, p. 215. Drawn by Harry Fenn Wood Engraving by William James Linton
Description: "Even more dramatic is Fenn’s view of the Maine coast, ‘The Spouting Horn’ in a Storm,” with the mast of a wrecked ship, an example of the sublime associated with danger and man’s weakness in face of nature’s power. The metaphor of battle to describe the confrontation of sea and rocky coast had become a literary convention used by several Picturesque America writers." – Part of the author’s discussion of 19th century artists who added drama to what they saw when illustrating it, before the advent of photography. - "Creating picturesque America: Monument to the Natural and Cultural Landscape" by Sue Rainey, Vanderbilt University Press, 1994, p. 215. Drawn by Harry Fenn Wood Engraving by William James Linton [show more]
Chromolithograph - Plate XI - Artist - Ernst Heign. The Natural History of Plants: Their Forms, Growth, Reproduction and Distribution, by Anton Kerner von Marilaun, Half Volume III, 1895. Printed in Leipzig by the Bibliographisches Institute . Image courtesy of ancestryimages.com - copyright free for non-commercial use. "Those running personal websites dealing with family history, genealogy, or other historical research etc. are most welcome to copy any of the map or print images for their own use, as are charity and non-profit organizations. 1898: "E.S. Rand, commemorated in Victoria Randi, died recently in Para, Brazil. He was an expert plantsman, a private gentleman, and wrote interestingly on various horticultural subjects." - American Gardening, Volume 19, 1898, p. 458. Victoria Regia, as shown in this illustration, does not purport to be variety Randi, but similar to that named for Edward S. Rand. "Victoria Randi, the new Crimson Victoria, is a variety of recent introduction ; very similar to the Victoria Regia, except the vertical edges of the leaves are broader, forming a deeper 'tray' and the flowers, opening white, soon change to a deep crimson." - "Botanical guide through the Phipps conservatories in Pittsburg and Allegheny" by Gustave Guttenbert, Pittsburg, Pennsylvania, 1894.
Description: Chromolithograph - Plate XI - Artist - Ernst Heign. The Natural History of Plants: Their Forms, Growth, Reproduction and Distribution, by Anton Kerner von Marilaun, Half Volume III, 1895. Printed in Leipzig by the Bibliographisches Institute . Image courtesy of ancestryimages.com - copyright free for non-commercial use. "Those running personal websites dealing with family history, genealogy, or other historical research etc. are most welcome to copy any of the map or print images for their own use, as are charity and non-profit organizations. 1898: "E.S. Rand, commemorated in Victoria Randi, died recently in Para, Brazil. He was an expert plantsman, a private gentleman, and wrote interestingly on various horticultural subjects." - American Gardening, Volume 19, 1898, p. 458. Victoria Regia, as shown in this illustration, does not purport to be variety Randi, but similar to that named for Edward S. Rand. "Victoria Randi, the new Crimson Victoria, is a variety of recent introduction ; very similar to the Victoria Regia, except the vertical edges of the leaves are broader, forming a deeper 'tray' and the flowers, opening white, soon change to a deep crimson." - "Botanical guide through the Phipps conservatories in Pittsburg and Allegheny" by Gustave Guttenbert, Pittsburg, Pennsylvania, 1894. [show more]
A. L. [Arthur A.] Gilley's barber shop is on the left - a small building which forms but a fraction of the structure. It is possible that, at the time this photograph was taken, Maurice Marshall was renting the barber shop. The gasoline pumps shown on the right are in what is now the Post Office parking lot. The bandstand can just be seen across Main Street in the back of the photograph. The automobile is definitely c. 1925-1926 - very possibly a 1925 Maxwell 5 Passenger Sedan. To read about the Maxwell Motor Car Company - See “Maxwell Motor and the Making of the Chrysler Corporation” by Anthony J. Yanik, published by Wayne State University Press, 2009.
Description: A. L. [Arthur A.] Gilley's barber shop is on the left - a small building which forms but a fraction of the structure. It is possible that, at the time this photograph was taken, Maurice Marshall was renting the barber shop. The gasoline pumps shown on the right are in what is now the Post Office parking lot. The bandstand can just be seen across Main Street in the back of the photograph. The automobile is definitely c. 1925-1926 - very possibly a 1925 Maxwell 5 Passenger Sedan. To read about the Maxwell Motor Car Company - See “Maxwell Motor and the Making of the Chrysler Corporation” by Anthony J. Yanik, published by Wayne State University Press, 2009. [show more]
The building with the tower in the distant background was the Charles B. Dix / Simeon Amassa Holden house and the stable (now moved) is the large building in the field behind it. The boathouse for that property, the Captain Charles B. Dix (1836-1906) Boat House, is on the white house directly on the shore next to the large clump of trees. It was the Lyle Arlington Reed house at the time the picture was taken - 143 Harbor Drive (Route 102A), Tremont, Maine. The building out on the spit is Little Island Marine, begun after WWII c. 1945-1946. The business on the shore just to the right of the wharf building was Lyle Arlington Reed’s store - 35 Shore Road, Bass Harbor (formerly McKinley), Maine. The small brown house in the middle of the large lot at the right, almost at the corner of McMullen Avenue and the Shore Road belonged to George Al Lovejoy (1903-1964). The house is now gone. It probably sat on the 9 McMullen Avenue property, Map 12 – Lot 44. The large building in the right foreground was owned by H.G. Reed and housed the Post Office on the ground floor facing the Shore Road – 45 Shore Road, Bass Harbor, Maine – Map 12 – Lot 43 The building at the left foreground was W.H. Thurston's General Store – later the Seafood Ketch restaurant – 47 Shore Road – Map 12 – Lot 42.
Description: The building with the tower in the distant background was the Charles B. Dix / Simeon Amassa Holden house and the stable (now moved) is the large building in the field behind it. The boathouse for that property, the Captain Charles B. Dix (1836-1906) Boat House, is on the white house directly on the shore next to the large clump of trees. It was the Lyle Arlington Reed house at the time the picture was taken - 143 Harbor Drive (Route 102A), Tremont, Maine. The building out on the spit is Little Island Marine, begun after WWII c. 1945-1946. The business on the shore just to the right of the wharf building was Lyle Arlington Reed’s store - 35 Shore Road, Bass Harbor (formerly McKinley), Maine. The small brown house in the middle of the large lot at the right, almost at the corner of McMullen Avenue and the Shore Road belonged to George Al Lovejoy (1903-1964). The house is now gone. It probably sat on the 9 McMullen Avenue property, Map 12 – Lot 44. The large building in the right foreground was owned by H.G. Reed and housed the Post Office on the ground floor facing the Shore Road – 45 Shore Road, Bass Harbor, Maine – Map 12 – Lot 43 The building at the left foreground was W.H. Thurston's General Store – later the Seafood Ketch restaurant – 47 Shore Road – Map 12 – Lot 42. [show more]