The illustration by Edith Brand appears on page 110 in "A Case of Sardines: A Story of the Maine Coast" by Charles Poole Cleaves, The Pilgrim Press, 1904. A sentimental novel that includes descriptions of the lives of those employed by sardine factories on the coast of Maine. The town of Echo Bluffs is fictional.
Description: The illustration by Edith Brand appears on page 110 in "A Case of Sardines: A Story of the Maine Coast" by Charles Poole Cleaves, The Pilgrim Press, 1904. A sentimental novel that includes descriptions of the lives of those employed by sardine factories on the coast of Maine. The town of Echo Bluffs is fictional.
Back row – Left to Right: John “Pa John” Carroll (1875-1964) Viola Benson (Tracy) Carroll (1881-1940) – Mrs. John Carroll Children – Left to Right: Philip Tracy Carroll (1904-1966) Wesley Boynton Carroll (1899-1962) Winifred Russell Carroll (1897-1988) – later Mrs. Albanus Moulton Pottle Charles Bradley Carroll (1902-1983)
From Nell Rebecca (Carroll) Thornton's own photograph album
Description: Back row – Left to Right: John “Pa John” Carroll (1875-1964) Viola Benson (Tracy) Carroll (1881-1940) – Mrs. John Carroll Children – Left to Right: Philip Tracy Carroll (1904-1966) Wesley Boynton Carroll (1899-1962) Winifred Russell Carroll (1897-1988) – later Mrs. Albanus Moulton Pottle Charles Bradley Carroll (1902-1983)
Left to Right: Charles Bradley Carroll (1902-1983) Viola Benson (Tracy) Carroll (1881-1940) – Mrs. John Carroll Richard Thornton Carroll (1908-1993) – in Viola’s lap John “Pa John” Carroll (1875-1964) – standing in back Philip Tracy Carroll (1904-1966) – standing in front in dark sweater Winifred Russell Carroll (1897-1988) – later Mrs. Albanus Moulton Pottle Wesley Boynton Carroll (1899-1962)
From Nell Rebecca (Carroll) Thornton's own photograph album.
Description: Left to Right: Charles Bradley Carroll (1902-1983) Viola Benson (Tracy) Carroll (1881-1940) – Mrs. John Carroll Richard Thornton Carroll (1908-1993) – in Viola’s lap John “Pa John” Carroll (1875-1964) – standing in back Philip Tracy Carroll (1904-1966) – standing in front in dark sweater Winifred Russell Carroll (1897-1988) – later Mrs. Albanus Moulton Pottle Wesley Boynton Carroll (1899-1962)
Nellie was a "literary lady" and carefully added titles to almost all of the photographs she put in her albums. This one was titled, "The Lady of the House," a reference to the pride she felt in this station.
Description: Nellie was a "literary lady" and carefully added titles to almost all of the photographs she put in her albums. This one was titled, "The Lady of the House," a reference to the pride she felt in this station.
Bessie Clark, on the left, was a great-niece of Jacob William Carroll, patriarch of the Carroll clan in Southwest Harbor. Mary Whitmore, "Aunt Mary," on the right, was a sister to Rebecca (Whitmore) Lurvey Carroll, matriarch of the Carroll clan in Southwest Harbor. This relationship is the reason for the photograph of "Aunt Mary and Bessie" in Nell Carroll Thornton's photograph album.
Description: Bessie Clark, on the left, was a great-niece of Jacob William Carroll, patriarch of the Carroll clan in Southwest Harbor. Mary Whitmore, "Aunt Mary," on the right, was a sister to Rebecca (Whitmore) Lurvey Carroll, matriarch of the Carroll clan in Southwest Harbor. This relationship is the reason for the photograph of "Aunt Mary and Bessie" in Nell Carroll Thornton's photograph album.
Taken on the same day as SWHPL 11752, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937)
Description: Taken on the same day as SWHPL 11752, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937) [show more]
Taken on the same day as SWHPL 6077, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937)
Description: Taken on the same day as SWHPL 6077, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937) [show more]
"Practically every town in Victorian America boasted a photography studio. The proprietor, whether he knew it or not, was an early chronicler of family life. Newborns, graduates, brides, grooms, and entire families posed for the camera – alongside wicker props. Ornate wicker furniture made its debut in photography studios during the 1870s. Light, airy and noticeably three-dimensional in photographs, wicker props made greater headway in studios during the 1880s and early 1900s. Because it was so inexpensive and easy to store, photographers and the public took wicker to their hearts. In fact, fancy wicker pieces became known as “photographer’s chairs.” Wicker’s popularity in studios created a new market; Heywood Brothers and Wakefield Company featured in their 1898 catalogue an extremely ornate five-legged “posing chair” specifically designed as a photographer’s prop." - "Collector’s Guide to American Wicker Furniture," by Richard Saunders, published by Hearst Books, New York, 1983, p. 43. The following pages contain photographs showing various ornate wicker chairs that were used by photographers. The chair shown in this photograph appears on pages 47 and 57. The same chair, obviously used by Southwest Harbor photographer. J.C. Ralph, appears in other photographs in the library collection.
Description: "Practically every town in Victorian America boasted a photography studio. The proprietor, whether he knew it or not, was an early chronicler of family life. Newborns, graduates, brides, grooms, and entire families posed for the camera – alongside wicker props. Ornate wicker furniture made its debut in photography studios during the 1870s. Light, airy and noticeably three-dimensional in photographs, wicker props made greater headway in studios during the 1880s and early 1900s. Because it was so inexpensive and easy to store, photographers and the public took wicker to their hearts. In fact, fancy wicker pieces became known as “photographer’s chairs.” Wicker’s popularity in studios created a new market; Heywood Brothers and Wakefield Company featured in their 1898 catalogue an extremely ornate five-legged “posing chair” specifically designed as a photographer’s prop." - "Collector’s Guide to American Wicker Furniture," by Richard Saunders, published by Hearst Books, New York, 1983, p. 43. The following pages contain photographs showing various ornate wicker chairs that were used by photographers. The chair shown in this photograph appears on pages 47 and 57. The same chair, obviously used by Southwest Harbor photographer. J.C. Ralph, appears in other photographs in the library collection. [show more]