Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols, Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 321. The illustrations in the Harper's article, with one exception, are those used again in “Nooks and Corners of the New England Coast” by Samuel Adams Drake, Harper & Brothers, Publishers, New York, 1875. “Superbly illustrated by eminent American artists.” – From an advertisement by Harper & Brothers – The Nation, July 15, 1875, p. 47.
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols, Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 321. The illustrations in the Harper's article, with one exception, are those used again in “Nooks and Corners of the New England Coast” by Samuel Adams Drake, Harper & Brothers, Publishers, New York, 1875. “Superbly illustrated by eminent American artists.” – From an advertisement by Harper & Brothers – The Nation, July 15, 1875, p. 47. [show more]
Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 332.
Description: Wood Engraving by an unknown artist - from "Mount Desert" by George Ward Nichols Harper’s New Monthly Magazine, No. CCLXVII, August, 1872, Vol. XLV, p. 332.
"Even more dramatic is Fenn’s view of the Maine coast, ‘The Spouting Horn’ in a Storm,” with the mast of a wrecked ship, an example of the sublime associated with danger and man’s weakness in face of nature’s power. The metaphor of battle to describe the confrontation of sea and rocky coast had become a literary convention used by several Picturesque America writers." – Part of the author’s discussion of 19th century artists who added drama to what they saw when illustrating it, before the advent of photography. - "Creating picturesque America: Monument to the Natural and Cultural Landscape" by Sue Rainey, Vanderbilt University Press, 1994, p. 215. Drawn by Harry Fenn Wood Engraving by William James Linton
Description: "Even more dramatic is Fenn’s view of the Maine coast, ‘The Spouting Horn’ in a Storm,” with the mast of a wrecked ship, an example of the sublime associated with danger and man’s weakness in face of nature’s power. The metaphor of battle to describe the confrontation of sea and rocky coast had become a literary convention used by several Picturesque America writers." – Part of the author’s discussion of 19th century artists who added drama to what they saw when illustrating it, before the advent of photography. - "Creating picturesque America: Monument to the Natural and Cultural Landscape" by Sue Rainey, Vanderbilt University Press, 1994, p. 215. Drawn by Harry Fenn Wood Engraving by William James Linton [show more]
Chromolithograph - Plate XI - Artist - Ernst Heign. The Natural History of Plants: Their Forms, Growth, Reproduction and Distribution, by Anton Kerner von Marilaun, Half Volume III, 1895. Printed in Leipzig by the Bibliographisches Institute . Image courtesy of ancestryimages.com - copyright free for non-commercial use. "Those running personal websites dealing with family history, genealogy, or other historical research etc. are most welcome to copy any of the map or print images for their own use, as are charity and non-profit organizations. 1898: "E.S. Rand, commemorated in Victoria Randi, died recently in Para, Brazil. He was an expert plantsman, a private gentleman, and wrote interestingly on various horticultural subjects." - American Gardening, Volume 19, 1898, p. 458. Victoria Regia, as shown in this illustration, does not purport to be variety Randi, but similar to that named for Edward S. Rand. "Victoria Randi, the new Crimson Victoria, is a variety of recent introduction ; very similar to the Victoria Regia, except the vertical edges of the leaves are broader, forming a deeper 'tray' and the flowers, opening white, soon change to a deep crimson." - "Botanical guide through the Phipps conservatories in Pittsburg and Allegheny" by Gustave Guttenbert, Pittsburg, Pennsylvania, 1894.
Description: Chromolithograph - Plate XI - Artist - Ernst Heign. The Natural History of Plants: Their Forms, Growth, Reproduction and Distribution, by Anton Kerner von Marilaun, Half Volume III, 1895. Printed in Leipzig by the Bibliographisches Institute . Image courtesy of ancestryimages.com - copyright free for non-commercial use. "Those running personal websites dealing with family history, genealogy, or other historical research etc. are most welcome to copy any of the map or print images for their own use, as are charity and non-profit organizations. 1898: "E.S. Rand, commemorated in Victoria Randi, died recently in Para, Brazil. He was an expert plantsman, a private gentleman, and wrote interestingly on various horticultural subjects." - American Gardening, Volume 19, 1898, p. 458. Victoria Regia, as shown in this illustration, does not purport to be variety Randi, but similar to that named for Edward S. Rand. "Victoria Randi, the new Crimson Victoria, is a variety of recent introduction ; very similar to the Victoria Regia, except the vertical edges of the leaves are broader, forming a deeper 'tray' and the flowers, opening white, soon change to a deep crimson." - "Botanical guide through the Phipps conservatories in Pittsburg and Allegheny" by Gustave Guttenbert, Pittsburg, Pennsylvania, 1894. [show more]
The first building at left (363 Main Street) also housed Mayo's Ice Cream Parlor. There is a surveyor working at the edge of the road. The second building on the left, “The Ashmont” hotel at 371 Main Street was built in 1884.
Description: The first building at left (363 Main Street) also housed Mayo's Ice Cream Parlor. There is a surveyor working at the edge of the road. The second building on the left, “The Ashmont” hotel at 371 Main Street was built in 1884.
"Dick: that is my house with the arrow over it. the place has changed some since that was taken. on that wharf there is a large factory now and eleven houses down there in the field. [on face of postcard] [on reverse of postcard] To Mr. Dexter Fowler, 56 Pine Street, Bath, Maine. Dear Friend Dick – I guess you thought I had forgotten you. But I should say not. I am a great fellow to put off writing. Have they had any fights at the shop since I left: I arrived home Sat. and went to work Wed. Raymond Whitmore, Southwest Harbor"
Description: "Dick: that is my house with the arrow over it. the place has changed some since that was taken. on that wharf there is a large factory now and eleven houses down there in the field. [on face of postcard] [on reverse of postcard] To Mr. Dexter Fowler, 56 Pine Street, Bath, Maine. Dear Friend Dick – I guess you thought I had forgotten you. But I should say not. I am a great fellow to put off writing. Have they had any fights at the shop since I left: I arrived home Sat. and went to work Wed. Raymond Whitmore, Southwest Harbor" [show more]
Addressed to Miss Annie Spooner, Plymouth, Mass., message on the back reads: "Saturday, A.M., Just off for a half day on the water to Baker's Island. Home Tuesday noon. Wiah you were here. J.S."
Description: Addressed to Miss Annie Spooner, Plymouth, Mass., message on the back reads: "Saturday, A.M., Just off for a half day on the water to Baker's Island. Home Tuesday noon. Wiah you were here. J.S."