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| Item | Title | Type | Subject | Creator | Publisher | Date | Place | Address | Description | |
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| 8967 | Hand Made Gun |
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| 13935 | Lobster Traps - History and Development |
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| The American lobster trap was invented in 1808 by Ebenezer Thorndike (1782-1877) of Swampscott, Massachusetts, a shoemaker who had a dried fish business and a fish market in Charleston, Massachusetts. The invention of the lobster trap was said to have made him a very rich man. "The lobster catch along our coast has been large and profitable for many years. The trapping of lobsters was first practiced at Swampscott in 1808 by Ebenezer Thorndike, who had twelve pots." - "History of Essex County, Massachusetts: With Biographical Sketches of Many of Its Pioneers and Prominent Men," Volume 2, edited by Duane Hamilton Hurd, J.W. Lewis & Company, 1888, p. 1486. When settlers first came to Mount Desert Island "Lobsters could be picked up along the shores but were not much esteemed as food." - “Traditions and Records of Southwest Harbor and Somesville, Mount Desert Island, Maine” by Mrs. Seth S. Thornton, 1938, p. 39. "The house now owned and occupied by Hiram Hadlock was built by his father, Epps Hadlock, in 1858. The cellar had been dug by Enoch Newman and Mr. Hadlock purchased the lot and built the house. The land was half of the hundred acre lot once owned by the first Sans Stanley. [Epps L. Hadlock (1829-1907)] was the man who made and set the first lobster trap in Southwest Harbor on April 16, 1854, and many of his descendants have been and still are, interested in and actively connected with the lobster industry." - “Traditions and Records of Southwest Harbor and Somesville, Mount Desert Island, Maine” by Mrs. Seth S. Thornton, 1938, p. 201. An 1899 report by the United States Fish Commission on the Lobster Fishery Of Maine, described the local "lath pots" used by Maine lobster fishers: The framework of the bottom consists of three strips of wood, either hemlock, spruce, or pine (the first mentioned being the most durable[cite] ), a little longer than the width of the pot, about 2¾ inches wide and 1 inch thick. In the ends of each of the outer strips a hole is bored to receive the ends of a small branch of pliable wood, which is bent into a regular semicircular curve. These hoops are made of branches of spruce or hemlock, or of hardwood saplings, such as maple, birch, or ash, generally retaining the bark. Three of these similar frames, straight below and curved above, constitute the framework of each pot, one to stand at each end and one in the center. The narrow strips of wood, in general ordinary house laths of spruce or pine, which form the covering, are nailed lengthwise to them, with interspaces between about equal to the width of the lathe. On the bottom the laths are sometimes nailed on the outside and sometimes on the inside of the cross pieces. The door is formed by three or four of the laths running the entire length near the top. The door is hinged on by means of small leather strips, and is fastened by a single wooden button in the center, or by two buttons, one at each end. The openings into the pot ... are two in number, one at each end, are generally knit of coarse twine and have a mesh between three-fourths of an inch and 1 inch square. They are funnel-shaped, with one side shorter than the other, and at the larger end have the same diameter as the framework. The smaller and inner end measures about 6 inches in diameter and is held open by means of a wire ring or wooden hoop. The funnels are fastened by the larger ends to the end frames of the pot, with the shorter side uppermost, so that when they are in place they lead obliquely upward into the pot instead of horizontally. The inner ends are secured in position by one or two cords extending to the center frame. The funnels are about 11 or 12 inches deep, and therefore extend about halfway to the center of the pot. They taper rapidly and form a strongly inclined plane, up which the lobsters must climb in their search for the bait. A two-strand manila twine is most commonly used for the funnels. Cotton is also used, but is more expensive and less durable. - "The Lobster Fishery of Maine," by John N. Cobb, Bulletin of the United States Fish Commission, Vol. 19, Pages 241-265, 1899. James Knott Sr. (1930-), of Brookline, Massachusetts was the first to use a wire mesh lobster trap in Atlantic waters off Gloucester in 1956. Wooden traps weighed about one hundred pounds when wet and were buoyant instead of sinking quickly to the bottom of the sea. Wooden traps decay in salt water. A wire mesh trap is approximately one half the weight of a wooden trap and is more negatively buoyant. A wire mesh lobster trap has a service life of one to over ten years. “Knott estimates that 90% of all lobster traps used in the U.S. are made from wire.” – Information from "Understanding the Stresses Incurred By a Typical Lobster Trap Using Finite Element Analysis" by Drew A. Domnarski, Professor Satya S. Shivkumar, Advisor, April 27, 2011 - A Major Qualifying Project Report submitted to the Faculty of Worcester Polytechnic Institute in partial fulfillment of the requirements for the Degree of Bachelor of Science, p. 7. "Today’s wire lobster traps are relatively standard in shape and design, as they are mass produced by commercial trap builders. Prior to the mid-1980s, however, lobster traps were primarily made of wood and built by individual fishermen." - "How to Catch a Lobster in Down East Maine" by Christina Lemieux Oragano, The History Press, 2012, p. 42. Robert Crowe Sr. (1934-) of Rockport, Maine, developed the Hydro-Slave pot hauler, a smaller version of the large-size Marco Hydraulics hanging block hydraulic hauler, in 1964. He introduced the smaller, reasonably priced apparatus to East Coast lobstermen thereby making it much easier to lift the heavy, water sodden pots from the sea. – Information from “Lobstering Off Cape Ann: A Lifetime Lobsterman Remembers” by Peter K. Prybot, The History Press, 2006, p. 102. See this reference for a complete discussion of the subject. | 
Description: The American lobster trap was invented in 1808 by Ebenezer Thorndike (1782-1877) of Swampscott, Massachusetts, a shoemaker who had a dried fish business and a fish market in Charleston, Massachusetts. The invention of the lobster trap was said to have made him a very rich man. "The lobster catch along our coast has been large and profitable for many years. The trapping of lobsters was first practiced at Swampscott in 1808 by Ebenezer Thorndike, who had twelve pots." - "History of Essex County, Massachusetts: With Biographical Sketches of Many of Its Pioneers and Prominent Men," Volume 2, edited by Duane Hamilton Hurd, J.W. Lewis & Company, 1888, p. 1486. When settlers first came to Mount Desert Island "Lobsters could be picked up along the shores but were not much esteemed as food." - “Traditions and Records of Southwest Harbor and Somesville, Mount Desert Island, Maine” by Mrs. Seth S. Thornton, 1938, p. 39. "The house now owned and occupied by Hiram Hadlock was built by his father, Epps Hadlock, in 1858. The cellar had been dug by Enoch Newman and Mr. Hadlock purchased the lot and built the house. The land was half of the hundred acre lot once owned by the first Sans Stanley. [Epps L. Hadlock (1829-1907)] was the man who made and set the first lobster trap in Southwest Harbor on April 16, 1854, and many of his descendants have been and still are, interested in and actively connected with the lobster industry." - “Traditions and Records of Southwest Harbor and Somesville, Mount Desert Island, Maine” by Mrs. Seth S. Thornton, 1938, p. 201. An 1899 report by the United States Fish Commission on the Lobster Fishery Of Maine, described the local "lath pots" used by Maine lobster fishers: The framework of the bottom consists of three strips of wood, either hemlock, spruce, or pine (the first mentioned being the most durable[cite] ), a little longer than the width of the pot, about 2¾ inches wide and 1 inch thick. In the ends of each of the outer strips a hole is bored to receive the ends of a small branch of pliable wood, which is bent into a regular semicircular curve. These hoops are made of branches of spruce or hemlock, or of hardwood saplings, such as maple, birch, or ash, generally retaining the bark. Three of these similar frames, straight below and curved above, constitute the framework of each pot, one to stand at each end and one in the center. The narrow strips of wood, in general ordinary house laths of spruce or pine, which form the covering, are nailed lengthwise to them, with interspaces between about equal to the width of the lathe. On the bottom the laths are sometimes nailed on the outside and sometimes on the inside of the cross pieces. The door is formed by three or four of the laths running the entire length near the top. The door is hinged on by means of small leather strips, and is fastened by a single wooden button in the center, or by two buttons, one at each end. The openings into the pot ... are two in number, one at each end, are generally knit of coarse twine and have a mesh between three-fourths of an inch and 1 inch square. They are funnel-shaped, with one side shorter than the other, and at the larger end have the same diameter as the framework. The smaller and inner end measures about 6 inches in diameter and is held open by means of a wire ring or wooden hoop. The funnels are fastened by the larger ends to the end frames of the pot, with the shorter side uppermost, so that when they are in place they lead obliquely upward into the pot instead of horizontally. The inner ends are secured in position by one or two cords extending to the center frame. The funnels are about 11 or 12 inches deep, and therefore extend about halfway to the center of the pot. They taper rapidly and form a strongly inclined plane, up which the lobsters must climb in their search for the bait. A two-strand manila twine is most commonly used for the funnels. Cotton is also used, but is more expensive and less durable. - "The Lobster Fishery of Maine," by John N. Cobb, Bulletin of the United States Fish Commission, Vol. 19, Pages 241-265, 1899. James Knott Sr. (1930-), of Brookline, Massachusetts was the first to use a wire mesh lobster trap in Atlantic waters off Gloucester in 1956. Wooden traps weighed about one hundred pounds when wet and were buoyant instead of sinking quickly to the bottom of the sea. Wooden traps decay in salt water. A wire mesh trap is approximately one half the weight of a wooden trap and is more negatively buoyant. A wire mesh lobster trap has a service life of one to over ten years. “Knott estimates that 90% of all lobster traps used in the U.S. are made from wire.” – Information from "Understanding the Stresses Incurred By a Typical Lobster Trap Using Finite Element Analysis" by Drew A. Domnarski, Professor Satya S. Shivkumar, Advisor, April 27, 2011 - A Major Qualifying Project Report submitted to the Faculty of Worcester Polytechnic Institute in partial fulfillment of the requirements for the Degree of Bachelor of Science, p. 7. "Today’s wire lobster traps are relatively standard in shape and design, as they are mass produced by commercial trap builders. Prior to the mid-1980s, however, lobster traps were primarily made of wood and built by individual fishermen." - "How to Catch a Lobster in Down East Maine" by Christina Lemieux Oragano, The History Press, 2012, p. 42. Robert Crowe Sr. (1934-) of Rockport, Maine, developed the Hydro-Slave pot hauler, a smaller version of the large-size Marco Hydraulics hanging block hydraulic hauler, in 1964. He introduced the smaller, reasonably priced apparatus to East Coast lobstermen thereby making it much easier to lift the heavy, water sodden pots from the sea. – Information from “Lobstering Off Cape Ann: A Lifetime Lobsterman Remembers” by Peter K. Prybot, The History Press, 2006, p. 102. See this reference for a complete discussion of the subject. [show more] | |||||
| 12272 | Lobster and Traps |
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| 3029 | Building the Better Lobster Trap |
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| "Jim Knott, 76, is said to be the reason wooden lobster traps now are used mostly as decorations or glass-topped coffee tables. He is credited with developing the first wire lobster trap and being the first to use one, in 1957, off Good Harbor Beach on Gloucester’s eastern shore. " Bangor Daily News | 
Description: "Jim Knott, 76, is said to be the reason wooden lobster traps now are used mostly as decorations or glass-topped coffee tables. He is credited with developing the first wire lobster trap and being the first to use one, in 1957, off Good Harbor Beach on Gloucester’s eastern shore. " Bangor Daily News | ||
| 13554 | Philip Clifton Rich Desk |
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| Philip Clifton Rich built this desk and chair using wood from the last of the original trees at the Southwest Harbor Library. The trees were removed in 2006. | 
Description: Philip Clifton Rich built this desk and chair using wood from the last of the original trees at the Southwest Harbor Library. The trees were removed in 2006. | |||||
| 14445 | Ralph Stanley's Albino Violin |
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| Ralph built his third violin, the “Albino Violin” in 2009. As with his first two violins, Ralph carved a Lion’s Head scroll for it. He says this violin is the “best so far.” The top is carved (not steamed) cedar wood and the bottom is carved poplar wood. He carved the lower block and top nut from old ebony piano keys. Vittoria (Vitelli) McIlhenny, Mrs. Alan McIlhenny of Northeast Harbor, purchased the “White Violin” for her collection in 2010. | 
Description: Ralph built his third violin, the “Albino Violin” in 2009. As with his first two violins, Ralph carved a Lion’s Head scroll for it. He says this violin is the “best so far.” The top is carved (not steamed) cedar wood and the bottom is carved poplar wood. He carved the lower block and top nut from old ebony piano keys. Vittoria (Vitelli) McIlhenny, Mrs. Alan McIlhenny of Northeast Harbor, purchased the “White Violin” for her collection in 2010. [show more] | ||||
| 14447 | Spurling Violin |
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| "Meanwhile I played a violin that I had bought from Millard Spurling. This violin had a mother of pearl inlay on the back. Millard had bought the violin from George Joy [George Jacob Joy (1861-1936)], who I believe taught school at Great Cranberry Island. Millard had intentions of learning to play but never did. After his wife died he had a lady friend at Ellsworth who had a daughter going to school who wanted to take violin lessons so he let her borrow it. When he got it back it was damaged. He had it for a number of years before he sold it to me. I repaired it and that gave me something to play while I scraped the varnish off the one I made. I intended to re-varnish but didn’t get to it so it set around in this condition for years. While playing at the Grange Hall at Northport I miss-stepped and fell off the stage with the Spurling violin in my hand. I was not hurt but the top was in splinters." - "Fiddle Making" by Ralph Warren Stanley, 2010. Ralph has since repaired the "Spurling Violin." | 
Description: "Meanwhile I played a violin that I had bought from Millard Spurling. This violin had a mother of pearl inlay on the back. Millard had bought the violin from George Joy [George Jacob Joy (1861-1936)], who I believe taught school at Great Cranberry Island. Millard had intentions of learning to play but never did. After his wife died he had a lady friend at Ellsworth who had a daughter going to school who wanted to take violin lessons so he let her borrow it. When he got it back it was damaged. He had it for a number of years before he sold it to me. I repaired it and that gave me something to play while I scraped the varnish off the one I made. I intended to re-varnish but didn’t get to it so it set around in this condition for years. While playing at the Grange Hall at Northport I miss-stepped and fell off the stage with the Spurling violin in my hand. I was not hurt but the top was in splinters." - "Fiddle Making" by Ralph Warren Stanley, 2010. Ralph has since repaired the "Spurling Violin." [show more] | ||||
| 14449 | Ralph Stanley's Underwood Violin |
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| Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” | 
Description: Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” | |||||
| 14450 | Ralph Stanley's Secundo Violin |
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| Ralph built his second violin, “Secundo”, in 2008. Ralph had made a Lion’s Head scroll for his first violin and he did it again when designing Secundo. | 
Description: Ralph built his second violin, “Secundo”, in 2008. Ralph had made a Lion’s Head scroll for his first violin and he did it again when designing Secundo. | |||||
| 11881 | Ralph Warren Stanley's First Lion's Head Violin Scroll |
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| Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” The tradition of Lion’s Head scrolls goes as far back as at least the 17th Century when Austrian Jakob Stainer, “one of the great violin makers of all times” made his Lion’s Head scroll violins. | 
Description: Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” The tradition of Lion’s Head scrolls goes as far back as at least the 17th Century when Austrian Jakob Stainer, “one of the great violin makers of all times” made his Lion’s Head scroll violins. | ||||
| 12525 | Girl and B(u)oy on the Maine Coast |
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| 14550 | Richardson Family Flintlock Musket |
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| The gun was possibly used in the Battle of Norwood Cove. | 
Description: The gun was possibly used in the Battle of Norwood Cove. | |||||
| 14608 | Robert Smallidge's Hand Made Gun |
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| 3049 | Acetylene Beacon Traffic Control Tower |
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| The traffic control tower at the junction of Main Street and Clark Point Road was an acetylene beacon made by the American Gas Accumulator Co. of Elizabeth, New Jersey | 
Description: The traffic control tower at the junction of Main Street and Clark Point Road was an acetylene beacon made by the American Gas Accumulator Co. of Elizabeth, New Jersey | |||||
| 14107 | Hinckley Hardware Photographs Produced by Willis Ballard |
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| The Manset Boatyard, and later as the Henry R. Hinckley Company, made most of the hardware for their vessels in their own shop. Willis Ballard produced illustrations of their hardware the old fashioned way too. Working in the days before computer generated or touched up images, Ballard photographed hundreds of hardware pieces and then painstakingly isolated each item against a white background by hand, using a brush dipped in white paint. However imperfect the images seem in their original size, they were beautiful when the photographs were reduced to produce catalogue pages. Some of the hardware was used just on Hinckley boats and some was sold at the company’s Manset Marine Supply Company in the old Clark and Parker store building on Clark Point. The library has 60 Ballard negatives illustrating Hinckley hardware. "1940 - Henry [Henry R. Hinckley (1907-1980)] starts the Manset Marine Supply Company to distribute marine supplies, engines and equipment to the many small yards springing up along the coast, as well as to his own boatyards. Dissatisfied with the quality of some commercial fittings, Hinckley designs many fittings that are still used by the company today. Among these items are fuel tanks, stanchions, deck plates, bow and stern chocks, pulpits and lead keels." - “The Hinckley Company History,” The Hinckley Company web site, 2000, Accessed online 11/20/2010; http://www.hinckleyyachts.com/employment/about_us2.html | 
Description: The Manset Boatyard, and later as the Henry R. Hinckley Company, made most of the hardware for their vessels in their own shop. Willis Ballard produced illustrations of their hardware the old fashioned way too. Working in the days before computer generated or touched up images, Ballard photographed hundreds of hardware pieces and then painstakingly isolated each item against a white background by hand, using a brush dipped in white paint. However imperfect the images seem in their original size, they were beautiful when the photographs were reduced to produce catalogue pages. Some of the hardware was used just on Hinckley boats and some was sold at the company’s Manset Marine Supply Company in the old Clark and Parker store building on Clark Point. The library has 60 Ballard negatives illustrating Hinckley hardware. "1940 - Henry [Henry R. Hinckley (1907-1980)] starts the Manset Marine Supply Company to distribute marine supplies, engines and equipment to the many small yards springing up along the coast, as well as to his own boatyards. Dissatisfied with the quality of some commercial fittings, Hinckley designs many fittings that are still used by the company today. Among these items are fuel tanks, stanchions, deck plates, bow and stern chocks, pulpits and lead keels." - “The Hinckley Company History,” The Hinckley Company web site, 2000, Accessed online 11/20/2010; http://www.hinckleyyachts.com/employment/about_us2.html [show more] | |||||
| 12785 | Potter’s Patent Paper Picture-Card Frame |
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| 15577 | Horse Trough Memorial in Acadia National Park - a Mystery |
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| 13377 | Revenue Ensign - Flag of the United States Customs Service |
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| The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. | 
Description: The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. [show more] | |||||
| 13442 | Hartford Marine Gas Engines |
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| The Gray and Prior Machine Company in Hartford, Connecticut made “Hartford” marine engines. The company was organized in 1898 and incorporated in 1900 to make marine engines. It was the combined vision of Robert Watkinson Gray (1876-1945) and George A. Prior (1871-1938). George Prior had learned the machine trade at Pratt & Whitney in East Hartford, had worked for the Electric Vehicle Company and had been granted a patent for a universal joint. Robert Gray had worked for the Hartford Rubber Works and contributed $5,000 in capital. George Prior was an inventive genius and contributed much to the initial success of the company. He designed and built his own motorcycle in 1900, and completed his first automobile in 1904, both using the Gray and Prior 2-cylinder marine engine that he designed. He applied his vast experience in the machine shop to his inventions and designs, which have been the foundation of the success of the Gray and Prior Machine Company for almost a century. Gray and Prior originally made marine engines in addition to their growing line of universal joints and couplings. Their Hartford Marine engines were of very high quality and commanded respect in the market. They built two-stroke inboard engines and medium heavy-duty type long stroke four-cycle marine motors. Many of the ideas involved in their design were improvements over existing marine engines of the day. Gray and Prior continued to manufacture the engines for more than 25 years, until they sold the tooling and the designs for the Hartford Sturdy Twin to the Indian Motorcycle Company in Springfield, Massachusetts for $15,000. - Information adapted from “Our Company’s History,” The Gray and Prior Machine Company web site, Accessed online 04/13/2012; http://www.grayandprior.com/history.htm |
Description: The Gray and Prior Machine Company in Hartford, Connecticut made “Hartford” marine engines. The company was organized in 1898 and incorporated in 1900 to make marine engines. It was the combined vision of Robert Watkinson Gray (1876-1945) and George A. Prior (1871-1938). George Prior had learned the machine trade at Pratt & Whitney in East Hartford, had worked for the Electric Vehicle Company and had been granted a patent for a universal joint. Robert Gray had worked for the Hartford Rubber Works and contributed $5,000 in capital. George Prior was an inventive genius and contributed much to the initial success of the company. He designed and built his own motorcycle in 1900, and completed his first automobile in 1904, both using the Gray and Prior 2-cylinder marine engine that he designed. He applied his vast experience in the machine shop to his inventions and designs, which have been the foundation of the success of the Gray and Prior Machine Company for almost a century. Gray and Prior originally made marine engines in addition to their growing line of universal joints and couplings. Their Hartford Marine engines were of very high quality and commanded respect in the market. They built two-stroke inboard engines and medium heavy-duty type long stroke four-cycle marine motors. Many of the ideas involved in their design were improvements over existing marine engines of the day. Gray and Prior continued to manufacture the engines for more than 25 years, until they sold the tooling and the designs for the Hartford Sturdy Twin to the Indian Motorcycle Company in Springfield, Massachusetts for $15,000. - Information adapted from “Our Company’s History,” The Gray and Prior Machine Company web site, Accessed online 04/13/2012; http://www.grayandprior.com/history.htm [show more] | |||||
| 8629 | Route of the Kaiser Wilhelm II to Europe |
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| Photographer Henry L. Rand and his cousin Julius Ross Wakefield traveled to Europe together in the summer and fall of 1896. Henry, as usual, documented the trip with this map and 87 photographs, found principally in Volume 10 of the Henry L. Rand Collection. The photographs are numbered in their titles in the order in which they appear in Rand's album. Henry drew the Continental Route of the trip, as evidenced by his distinctive handwriting, and then photographed the map and pasted it into Volume 10 as his number 1143. He probably copied the map from a printed one and added the longitude and latitude lines that can faintly be seen in the photograph. Henry and Julius traveled to Europe aboard the steamship Kaiser Wilhelm II to Naples, Italy and then proceeded by water to Genoa. From there they went to Milan and took a side trip to Verona and Venice, returning to Milan. | 
Description: Photographer Henry L. Rand and his cousin Julius Ross Wakefield traveled to Europe together in the summer and fall of 1896. Henry, as usual, documented the trip with this map and 87 photographs, found principally in Volume 10 of the Henry L. Rand Collection. The photographs are numbered in their titles in the order in which they appear in Rand's album. Henry drew the Continental Route of the trip, as evidenced by his distinctive handwriting, and then photographed the map and pasted it into Volume 10 as his number 1143. He probably copied the map from a printed one and added the longitude and latitude lines that can faintly be seen in the photograph. Henry and Julius traveled to Europe aboard the steamship Kaiser Wilhelm II to Naples, Italy and then proceeded by water to Genoa. From there they went to Milan and took a side trip to Verona and Venice, returning to Milan. [show more] | |||
| 10256 | Silver Inlay - Hand Made Gun |
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| 10257 | Silver Inlay - Hand Made Gun |
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| 10258 | Silver Inlay - Hand Made Gun |
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| 10259 | Silver Inlay - Hand Made Gun |
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| 10260 | Silver Inlay - Hand Made Gun |
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