The story of how the image on a postage stamp and a Southwest Harbor Boat Builder led archivists to research the history of the Landing at Plymouth Rock.
Description: The story of how the image on a postage stamp and a Southwest Harbor Boat Builder led archivists to research the history of the Landing at Plymouth Rock.
Date: Circa 1908 Media: Tinted collotype Title: Landing of the Pilgrims at Plymouth 1620 from the Mayflower Subject: Pilgrim Shallop Publisher: Published in Germany for G.W. Morris, Portland, Maine Postage: 1¢ for United States and Island Possessions, Cuba, Canada and Mexico, 2¢ for foreign. Number: 84972 Addressed to Mrs. Eliza S. Gott, McKinley, Maine, Box 22. Front message: "Send me a postcard from Grace E. Gott" Postcard from Grace E. Gott (1896-1920) to her grandmother, Eliza Sawyer Butler, Mrs. Israel Gott (1847-1924) Grace E. Gott married Charles Lewellyn McKay on December 16, 1915. She signed the postcard as Grace E. Gott so archivists conclude that it was sent before that date. Judging by her handwriting, it is probable that she wrote the card c. 1908-1910. G.W. Morris printed their tinted collotype postcards in Germany in the early years of their existence (1901-1922). Archivists have therefore date the postcard as c. 1908.
Description: Date: Circa 1908 Media: Tinted collotype Title: Landing of the Pilgrims at Plymouth 1620 from the Mayflower Subject: Pilgrim Shallop Publisher: Published in Germany for G.W. Morris, Portland, Maine Postage: 1¢ for United States and Island Possessions, Cuba, Canada and Mexico, 2¢ for foreign. Number: 84972 Addressed to Mrs. Eliza S. Gott, McKinley, Maine, Box 22. Front message: "Send me a postcard from Grace E. Gott" Postcard from Grace E. Gott (1896-1920) to her grandmother, Eliza Sawyer Butler, Mrs. Israel Gott (1847-1924) Grace E. Gott married Charles Lewellyn McKay on December 16, 1915. She signed the postcard as Grace E. Gott so archivists conclude that it was sent before that date. Judging by her handwriting, it is probable that she wrote the card c. 1908-1910. G.W. Morris printed their tinted collotype postcards in Germany in the early years of their existence (1901-1922). Archivists have therefore date the postcard as c. 1908. [show more]
Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf
Description: Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf [show more]
Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
ship, engraving, child, woman, hat, man, people, boat
Description: Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
Henry Rose Hinckley II (1907-1980) - standing next to the tractor, on the left behind the man in the left foreground. Winston G. Stewart (1924-) Howe Dwain Higgins (1894-1974) George M. Gilley (1924-) or George C. Gilley (1913-2000) – married to Eunice Brown Carleton E. Hill (1913-1997) Lennox Ledyard “Bink” Sargent (1916-1989) The men in the foreground are building the jig for a transom. The tractor is a Catapillar 5 Ton.
Description: Henry Rose Hinckley II (1907-1980) - standing next to the tractor, on the left behind the man in the left foreground. Winston G. Stewart (1924-) Howe Dwain Higgins (1894-1974) George M. Gilley (1924-) or George C. Gilley (1913-2000) – married to Eunice Brown Carleton E. Hill (1913-1997) Lennox Ledyard “Bink” Sargent (1916-1989) The men in the foreground are building the jig for a transom. The tractor is a Catapillar 5 Ton.
Silkscreen on paper, one of a series of Maine Communities by Francis Hamabe. Most of the series could be seen on a first floor corridor wall at Eastern Maine Medical Center in Bangor, Maine, in 2010.
Description: Silkscreen on paper, one of a series of Maine Communities by Francis Hamabe. Most of the series could be seen on a first floor corridor wall at Eastern Maine Medical Center in Bangor, Maine, in 2010.
Fitz Henry Lane painted one of the earliest views of Southwest Harbor, and seems to have studied the shore carefully. The view shows a lumber schooner loading its long cargo through a port in the bow of the vessel. The white house immediately to the left of the vessel probably shows an early version of the Seth Higgins Clark House. The white house at the center of the shore is the Nathan Clark II House. The white building at the far left is Deacon Henry Higgins Clark's Island House Hotel, early in its career, before it was expanded into several stories with a mansard roof. Clark descendants, and their houses, are still in Southwest Harbor. William Howe Witherle (1821–1906) accompanied Lane on his trip around Mount Desert Island and recorded many of their adventures in his diary. On August 21 he wrote, "… George, Joe & myself took breakfast this morning at the Island House – and a fine one it was – price 25 cts – Mr. Lane took 2 sketches here…” The sketches referred to were of the shore and harbor, not the hotel. See: Witherle, William Howe. William Witherle Diary (unpublished manuscript) (August 16–21, 1852). Personal diary in the collection of the Wilson Museum, Castine, Maine (A00060-1a-1h).
Description: Fitz Henry Lane painted one of the earliest views of Southwest Harbor, and seems to have studied the shore carefully. The view shows a lumber schooner loading its long cargo through a port in the bow of the vessel. The white house immediately to the left of the vessel probably shows an early version of the Seth Higgins Clark House. The white house at the center of the shore is the Nathan Clark II House. The white building at the far left is Deacon Henry Higgins Clark's Island House Hotel, early in its career, before it was expanded into several stories with a mansard roof. Clark descendants, and their houses, are still in Southwest Harbor. William Howe Witherle (1821–1906) accompanied Lane on his trip around Mount Desert Island and recorded many of their adventures in his diary. On August 21 he wrote, "… George, Joe & myself took breakfast this morning at the Island House – and a fine one it was – price 25 cts – Mr. Lane took 2 sketches here…” The sketches referred to were of the shore and harbor, not the hotel. See: Witherle, William Howe. William Witherle Diary (unpublished manuscript) (August 16–21, 1852). Personal diary in the collection of the Wilson Museum, Castine, Maine (A00060-1a-1h). [show more]