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| Item | Title | Type | Subject | Creator | Publisher | Date | Place | Address | Description | |
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| 15332 | Vasculum |
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| A vasculum or a botanical box is a stiff container used by botanists to keep field samples viable for transportation. The main purpose of the valsculum is to transport plants without crushing them and by maintaining a cool, humid environment. Vascula are cylinders typically made from tinned and sometimes lacquered iron, though wooden examples are known. The box was carried horizontally on a strap so that plant specimens lie flat and lined with moistened cloth.[1] Traditionally, British and American vascula were somewhat flat and valise-like with a single room, while continental examples were more cylindrical and often longer, sometimes with two separate compartments.[2] Access to the interior is through one (sometimes two) large lids in the side, allowing plants to be put in and taken out without bending or distorting them unnecessarily. This is particularly important with wildflowers, which are often fragile. Some early 20th century specimen are made from sheet aluminium rather than tin, but otherwise follow the 19th century pattern. The exterior is usually left rough, or lacquered green. This item's second image is a painting by Hermann Kern Der Botaniker depicting the artist's view of a botanist with a vasculum. | 
Description: A vasculum or a botanical box is a stiff container used by botanists to keep field samples viable for transportation. The main purpose of the valsculum is to transport plants without crushing them and by maintaining a cool, humid environment. Vascula are cylinders typically made from tinned and sometimes lacquered iron, though wooden examples are known. The box was carried horizontally on a strap so that plant specimens lie flat and lined with moistened cloth.[1] Traditionally, British and American vascula were somewhat flat and valise-like with a single room, while continental examples were more cylindrical and often longer, sometimes with two separate compartments.[2] Access to the interior is through one (sometimes two) large lids in the side, allowing plants to be put in and taken out without bending or distorting them unnecessarily. This is particularly important with wildflowers, which are often fragile. Some early 20th century specimen are made from sheet aluminium rather than tin, but otherwise follow the 19th century pattern. The exterior is usually left rough, or lacquered green. This item's second image is a painting by Hermann Kern Der Botaniker depicting the artist's view of a botanist with a vasculum. [show more] | |||||
| 11509 | Stove from the Arethusa III |
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| Tiled enclosure and stove | ||||||
| 14447 | Spurling Violin |
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| "Meanwhile I played a violin that I had bought from Millard Spurling. This violin had a mother of pearl inlay on the back. Millard had bought the violin from George Joy [George Jacob Joy (1861-1936)], who I believe taught school at Great Cranberry Island. Millard had intentions of learning to play but never did. After his wife died he had a lady friend at Ellsworth who had a daughter going to school who wanted to take violin lessons so he let her borrow it. When he got it back it was damaged. He had it for a number of years before he sold it to me. I repaired it and that gave me something to play while I scraped the varnish off the one I made. I intended to re-varnish but didn’t get to it so it set around in this condition for years. While playing at the Grange Hall at Northport I miss-stepped and fell off the stage with the Spurling violin in my hand. I was not hurt but the top was in splinters." - "Fiddle Making" by Ralph Warren Stanley, 2010. Ralph has since repaired the "Spurling Violin." | 
Description: "Meanwhile I played a violin that I had bought from Millard Spurling. This violin had a mother of pearl inlay on the back. Millard had bought the violin from George Joy [George Jacob Joy (1861-1936)], who I believe taught school at Great Cranberry Island. Millard had intentions of learning to play but never did. After his wife died he had a lady friend at Ellsworth who had a daughter going to school who wanted to take violin lessons so he let her borrow it. When he got it back it was damaged. He had it for a number of years before he sold it to me. I repaired it and that gave me something to play while I scraped the varnish off the one I made. I intended to re-varnish but didn’t get to it so it set around in this condition for years. While playing at the Grange Hall at Northport I miss-stepped and fell off the stage with the Spurling violin in my hand. I was not hurt but the top was in splinters." - "Fiddle Making" by Ralph Warren Stanley, 2010. Ralph has since repaired the "Spurling Violin." [show more] | ||||
| 7350 | Southwest Harbor Parking Ticket Form Used by Officer Woodrow Wilson Herrick |
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| 10256 | Silver Inlay - Hand Made Gun |
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| 10257 | Silver Inlay - Hand Made Gun |
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| 10258 | Silver Inlay - Hand Made Gun |
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| 10259 | Silver Inlay - Hand Made Gun |
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| 10260 | Silver Inlay - Hand Made Gun |
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| 10261 | Silver Inlay - Hand Made Gun |
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| 10262 | Silver Inlay - Hand Made Gun |
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| 10263 | Silver Inlay - Hand Made Gun |
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| 10264 | Silver Inlay - Hand Made Gun |
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| 10265 | Silver Inlay - Hand Made Gun |
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| 10266 | Silver Inlay - Hand Made Gun |
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| 10267 | Silver Inlay - Hand Made Gun |
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| 14608 | Robert Smallidge's Hand Made Gun |
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| 10268 | Robert Smallidge Sr. and his Hand Made Gun |
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| 14550 | Richardson Family Flintlock Musket |
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| The gun was possibly used in the Battle of Norwood Cove. | 
Description: The gun was possibly used in the Battle of Norwood Cove. | |||||
| 13377 | Revenue Ensign - Flag of the United States Customs Service |
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| The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. | 
Description: The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. [show more] | |||||
| 3004 | Rebecca's Dolls |
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| Carroll family mythology says that Rebecca Carroll made sixteen dolls for her grandchildren – one for each grandchild born while she was alive. Researchers have found evidence of three of the dolls and are looking for the others. | 
Description: Carroll family mythology says that Rebecca Carroll made sixteen dolls for her grandchildren – one for each grandchild born while she was alive. Researchers have found evidence of three of the dolls and are looking for the others. | |||||
| 14449 | Ralph Stanley's Underwood Violin |
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| Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” | 
Description: Ralph built his first violin, the “Underwood” violin, in 1955 using a birch stair tread from the demolished Underwood cottage, “Squirrelhurst.” | |||||
| 14450 | Ralph Stanley's Secundo Violin |
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| Ralph built his second violin, “Secundo”, in 2008. Ralph had made a Lion’s Head scroll for his first violin and he did it again when designing Secundo. | 
Description: Ralph built his second violin, “Secundo”, in 2008. Ralph had made a Lion’s Head scroll for his first violin and he did it again when designing Secundo. | |||||
| 14445 | Ralph Stanley's Albino Violin |
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| Ralph built his third violin, the “Albino Violin” in 2009. As with his first two violins, Ralph carved a Lion’s Head scroll for it. He says this violin is the “best so far.” The top is carved (not steamed) cedar wood and the bottom is carved poplar wood. He carved the lower block and top nut from old ebony piano keys. Vittoria (Vitelli) McIlhenny, Mrs. Alan McIlhenny of Northeast Harbor, purchased the “White Violin” for her collection in 2010. | 
Description: Ralph built his third violin, the “Albino Violin” in 2009. As with his first two violins, Ralph carved a Lion’s Head scroll for it. He says this violin is the “best so far.” The top is carved (not steamed) cedar wood and the bottom is carved poplar wood. He carved the lower block and top nut from old ebony piano keys. Vittoria (Vitelli) McIlhenny, Mrs. Alan McIlhenny of Northeast Harbor, purchased the “White Violin” for her collection in 2010. [show more] | ||||
| 12785 | Potter’s Patent Paper Picture-Card Frame |
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