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| Item | Title | Type | Subject | Creator | Publisher | Date | Place | Address | Description | |
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| 13444 | Advertisement for Hartford Marine Engines |
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| 7020 | State Street, Ellsworth, Maine |
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| 10929 | Postcard from Mary Ann Carroll to her Niece, Gertrude Whitmore Carroll |
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| 16233 | Ice Harvesting on the Kennebec |
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| Text reads: "I did not give you either of these cards did I? If I ever send duplicates, send them back. Carrie" | 
Description: Text reads: "I did not give you either of these cards did I? If I ever send duplicates, send them back. Carrie" | ||||
| 14834 | W.H. Ballard, Maine Photographer - A Life of Ingenuity & Art |
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| This book of W.H. Ballard photographs, from the collection of the Southwest Harbor Public Library, compiles images from the Ballard exhibit displayed in the library from June 30, 2013 - July 26, 2013. The book images that are less well known than Ballard's famous postcards and scenic views of Mount Desert Island and Acadia National Park. Written and edited by Meredith Hutchins Designed and produced by Charlotte R. Morrill Research by Meredith Hutchins and Charlotte R. Morrill | 
Description: This book of W.H. Ballard photographs, from the collection of the Southwest Harbor Public Library, compiles images from the Ballard exhibit displayed in the library from June 30, 2013 - July 26, 2013. The book images that are less well known than Ballard's famous postcards and scenic views of Mount Desert Island and Acadia National Park. Written and edited by Meredith Hutchins Designed and produced by Charlotte R. Morrill Research by Meredith Hutchins and Charlotte R. Morrill [show more] | ||
| 14536 | Alden Designs |
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| 14550 | Richardson Family Flintlock Musket |
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| The gun was possibly used in the Battle of Norwood Cove. | 
Description: The gun was possibly used in the Battle of Norwood Cove. | |||||
| 14608 | Robert Smallidge's Hand Made Gun |
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| 3035 | The Whitmore Family and Pineapple Upside Down Cake |
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| The Whitmore and Dole families are both connected to Southwest Harbor, Maine. This is the story of what happened when archivists tried to connect them to Pineapple Upside Down Cake. | 
Description: The Whitmore and Dole families are both connected to Southwest Harbor, Maine. This is the story of what happened when archivists tried to connect them to Pineapple Upside Down Cake. | ||||
| 3049 | Acetylene Beacon Traffic Control Tower |
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| The traffic control tower at the junction of Main Street and Clark Point Road was an acetylene beacon made by the American Gas Accumulator Co. of Elizabeth, New Jersey | 
Description: The traffic control tower at the junction of Main Street and Clark Point Road was an acetylene beacon made by the American Gas Accumulator Co. of Elizabeth, New Jersey | |||||
| 3010 | Crayon Portraits |
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| We use the term "Crayon Portraits" for a particular type of early enlarged photograph, probably made with a solar enlarger, printed on paper and embellished with charcoal of crayon. There are many kinds of embellished photographs in the collection - everything from tinted tintypes to color postcards with people added to the scenes. It is common to find pencil marks on photographs to "improve" them (and also common to find the fingerprints of early photographers like Henry Rand who made their own prints(, but the term Crayon Portrait used here refers to one specific kind of print. To understand the history and techniques of crayon portaits and painted photographs see - "The Painted Photograph 1839-1914 – Origins, Techniques, Aspirations" by Heinz K. Henisch and Bridget A. Henisch, The Pennsylvania State University Press, 1996. | 
Description: We use the term "Crayon Portraits" for a particular type of early enlarged photograph, probably made with a solar enlarger, printed on paper and embellished with charcoal of crayon. There are many kinds of embellished photographs in the collection - everything from tinted tintypes to color postcards with people added to the scenes. It is common to find pencil marks on photographs to "improve" them (and also common to find the fingerprints of early photographers like Henry Rand who made their own prints(, but the term Crayon Portrait used here refers to one specific kind of print. To understand the history and techniques of crayon portaits and painted photographs see - "The Painted Photograph 1839-1914 – Origins, Techniques, Aspirations" by Heinz K. Henisch and Bridget A. Henisch, The Pennsylvania State University Press, 1996. [show more] | |||||
| 13883 | Sawin's Cambridge Express |
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| Moses Morse Sawin bought Buck's Express on August 14, 1860, "He conducted this business several years under its old name, then changed it to Sawin’s Express, which became one of the best known and most flourishing of the suburban express lines about Boston. His business was in transporting baggage and merchandise between Boston and Cambridge. He continued business until 1905, when he sold out to the Boston & Suburban Express Company, and retired from active business." - A History of Cambridge, Massachusetts (1630-1913) by Samuel Atkins Eliot, A.M., D.D. Together With Biographies of Cambridge People – The Cambridge Tribune, p. 243-4 – 1913 Sawin's Express was such a fixture of life at Harvard, transporting students' luggage to and from school, that it appeared often in jokes, skits and in Harvard alumnae publications. | 
Description: Moses Morse Sawin bought Buck's Express on August 14, 1860, "He conducted this business several years under its old name, then changed it to Sawin’s Express, which became one of the best known and most flourishing of the suburban express lines about Boston. His business was in transporting baggage and merchandise between Boston and Cambridge. He continued business until 1905, when he sold out to the Boston & Suburban Express Company, and retired from active business." - A History of Cambridge, Massachusetts (1630-1913) by Samuel Atkins Eliot, A.M., D.D. Together With Biographies of Cambridge People – The Cambridge Tribune, p. 243-4 – 1913 Sawin's Express was such a fixture of life at Harvard, transporting students' luggage to and from school, that it appeared often in jokes, skits and in Harvard alumnae publications. [show more] | |||||
| 14107 | Hinckley Hardware Photographs Produced by Willis Ballard |
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| The Manset Boatyard, and later as the Henry R. Hinckley Company, made most of the hardware for their vessels in their own shop. Willis Ballard produced illustrations of their hardware the old fashioned way too. Working in the days before computer generated or touched up images, Ballard photographed hundreds of hardware pieces and then painstakingly isolated each item against a white background by hand, using a brush dipped in white paint. However imperfect the images seem in their original size, they were beautiful when the photographs were reduced to produce catalogue pages. Some of the hardware was used just on Hinckley boats and some was sold at the company’s Manset Marine Supply Company in the old Clark and Parker store building on Clark Point. The library has 60 Ballard negatives illustrating Hinckley hardware. "1940 - Henry [Henry R. Hinckley (1907-1980)] starts the Manset Marine Supply Company to distribute marine supplies, engines and equipment to the many small yards springing up along the coast, as well as to his own boatyards. Dissatisfied with the quality of some commercial fittings, Hinckley designs many fittings that are still used by the company today. Among these items are fuel tanks, stanchions, deck plates, bow and stern chocks, pulpits and lead keels." - “The Hinckley Company History,” The Hinckley Company web site, 2000, Accessed online 11/20/2010; http://www.hinckleyyachts.com/employment/about_us2.html | 
Description: The Manset Boatyard, and later as the Henry R. Hinckley Company, made most of the hardware for their vessels in their own shop. Willis Ballard produced illustrations of their hardware the old fashioned way too. Working in the days before computer generated or touched up images, Ballard photographed hundreds of hardware pieces and then painstakingly isolated each item against a white background by hand, using a brush dipped in white paint. However imperfect the images seem in their original size, they were beautiful when the photographs were reduced to produce catalogue pages. Some of the hardware was used just on Hinckley boats and some was sold at the company’s Manset Marine Supply Company in the old Clark and Parker store building on Clark Point. The library has 60 Ballard negatives illustrating Hinckley hardware. "1940 - Henry [Henry R. Hinckley (1907-1980)] starts the Manset Marine Supply Company to distribute marine supplies, engines and equipment to the many small yards springing up along the coast, as well as to his own boatyards. Dissatisfied with the quality of some commercial fittings, Hinckley designs many fittings that are still used by the company today. Among these items are fuel tanks, stanchions, deck plates, bow and stern chocks, pulpits and lead keels." - “The Hinckley Company History,” The Hinckley Company web site, 2000, Accessed online 11/20/2010; http://www.hinckleyyachts.com/employment/about_us2.html [show more] | |||||
| 14265 | Stanley Dry Plate Company |
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| 14851 | Echo Lake Girl Scout Camp |
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| 14854 | The Old Narraguagus House, Cherryfield, Maine |
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| 12785 | Potter’s Patent Paper Picture-Card Frame |
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| 12815 | Magic Lanterns |
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| Magic lanterns, also known as optical lanterns, provided one of the most popular forms of entertainment during their heyday in the 18th and 19th centuries, establishing many of the first 2-D special effects. Using an artificial light source and a combination of lenses, these devices enlarged small transparency images or miniature models and projected them onto a wall or screen. This document provides a brief history of magic lanterns, an example of the slide "Maine Coast at Bar Harbor" describing its creations, and an excerpt from a report written for the Regents of the University of the State of New York on the use of such slides. See http://www.collectorsweekly.com/photographs/magic-lantern to read more about Magic Lantern slides. | 
Description: Magic lanterns, also known as optical lanterns, provided one of the most popular forms of entertainment during their heyday in the 18th and 19th centuries, establishing many of the first 2-D special effects. Using an artificial light source and a combination of lenses, these devices enlarged small transparency images or miniature models and projected them onto a wall or screen. This document provides a brief history of magic lanterns, an example of the slide "Maine Coast at Bar Harbor" describing its creations, and an excerpt from a report written for the Regents of the University of the State of New York on the use of such slides. See http://www.collectorsweekly.com/photographs/magic-lantern to read more about Magic Lantern slides. [show more] | |||||
| 15577 | Horse Trough Memorial in Acadia National Park - a Mystery |
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| 13377 | Revenue Ensign - Flag of the United States Customs Service |
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| The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. | 
Description: The Custom's service flag was designed by Secretary of the Treasury Oliver Wolcott, Alexander Hamilton’s successor, who used 16 alternating red and white vertical stripes, one stripe for each State that had joined the Union by 1799, with a bald eagle in the canton holding 3 arrows in his sinister claw and an olive branch in his dexter claw. On the left and right sides of the eagle are 4 stars each in an arc pattern, and above the eagle 5 stars. On the eagle is a crest representing the United States. Wolcott submitted his flag design to President John Adams in 1799 and the final version was approved on August 1st, 1799. Nathaniel Hawthorne, who served as customs surveyor at the port of Salem, Massachusetts, from 1846 to 1849, suggested the "stripes turned vertically, not horizontally, indicated a civil, not military, post of Uncle Sam’s government." Although originally intended as a marine ensign to be flown from revenue cutters and customs vessels, the collectors soon were flying it over their customhouses. That tradition was codified a half-century later, when in 1874, Treasury Secretary William A. Richardson, required that during business hours, the customs ensign was to be hoisted by the side of the Stars and Stripes over all customhouses. From Wikipedia: The flag of the Customs Service was designed in 1799 by Secretary of the Treasury Oliver Wolcott, Jr. and consists of 16 vertical red and white stripes with a coat of arms depicted in blue on the white canton. The original design had the Customs Service seal that was an eagle with three arrows in his left talon, an olive branch in his right and surrounded by an arc of 13 stars. In 1951, this was changed to the eagle depicted on the Great Seal of the United States. Its actual name is the Revenue Ensign, as it was flown by ships of the Revenue Cutter Service, later the Coast Guard, and at customs houses. [show more] | |||||
| 13442 | Hartford Marine Gas Engines |
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| The Gray and Prior Machine Company in Hartford, Connecticut made “Hartford” marine engines. The company was organized in 1898 and incorporated in 1900 to make marine engines. It was the combined vision of Robert Watkinson Gray (1876-1945) and George A. Prior (1871-1938). George Prior had learned the machine trade at Pratt & Whitney in East Hartford, had worked for the Electric Vehicle Company and had been granted a patent for a universal joint. Robert Gray had worked for the Hartford Rubber Works and contributed $5,000 in capital. George Prior was an inventive genius and contributed much to the initial success of the company. He designed and built his own motorcycle in 1900, and completed his first automobile in 1904, both using the Gray and Prior 2-cylinder marine engine that he designed. He applied his vast experience in the machine shop to his inventions and designs, which have been the foundation of the success of the Gray and Prior Machine Company for almost a century. Gray and Prior originally made marine engines in addition to their growing line of universal joints and couplings. Their Hartford Marine engines were of very high quality and commanded respect in the market. They built two-stroke inboard engines and medium heavy-duty type long stroke four-cycle marine motors. Many of the ideas involved in their design were improvements over existing marine engines of the day. Gray and Prior continued to manufacture the engines for more than 25 years, until they sold the tooling and the designs for the Hartford Sturdy Twin to the Indian Motorcycle Company in Springfield, Massachusetts for $15,000. - Information adapted from “Our Company’s History,” The Gray and Prior Machine Company web site, Accessed online 04/13/2012; http://www.grayandprior.com/history.htm | 
Description: The Gray and Prior Machine Company in Hartford, Connecticut made “Hartford” marine engines. The company was organized in 1898 and incorporated in 1900 to make marine engines. It was the combined vision of Robert Watkinson Gray (1876-1945) and George A. Prior (1871-1938). George Prior had learned the machine trade at Pratt & Whitney in East Hartford, had worked for the Electric Vehicle Company and had been granted a patent for a universal joint. Robert Gray had worked for the Hartford Rubber Works and contributed $5,000 in capital. George Prior was an inventive genius and contributed much to the initial success of the company. He designed and built his own motorcycle in 1900, and completed his first automobile in 1904, both using the Gray and Prior 2-cylinder marine engine that he designed. He applied his vast experience in the machine shop to his inventions and designs, which have been the foundation of the success of the Gray and Prior Machine Company for almost a century. Gray and Prior originally made marine engines in addition to their growing line of universal joints and couplings. Their Hartford Marine engines were of very high quality and commanded respect in the market. They built two-stroke inboard engines and medium heavy-duty type long stroke four-cycle marine motors. Many of the ideas involved in their design were improvements over existing marine engines of the day. Gray and Prior continued to manufacture the engines for more than 25 years, until they sold the tooling and the designs for the Hartford Sturdy Twin to the Indian Motorcycle Company in Springfield, Massachusetts for $15,000. - Information adapted from “Our Company’s History,” The Gray and Prior Machine Company web site, Accessed online 04/13/2012; http://www.grayandprior.com/history.htm [show more] | |||||
| 9135 | Marion Quincy Winslow Rand at Balsam Hut |
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| There is a splint-ash chair in the hut and bunches of balsam branches apparently on a bench. The outside of the hut had a sapling trellis attached to the surface of the building. Balsam branches were attached to it. | 
Description: There is a splint-ash chair in the hut and bunches of balsam branches apparently on a bench. The outside of the hut had a sapling trellis attached to the surface of the building. Balsam branches were attached to it. | |||
| 8629 | Route of the Kaiser Wilhelm II to Europe |
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| Photographer Henry L. Rand and his cousin Julius Ross Wakefield traveled to Europe together in the summer and fall of 1896. Henry, as usual, documented the trip with this map and 87 photographs, found principally in Volume 10 of the Henry L. Rand Collection. The photographs are numbered in their titles in the order in which they appear in Rand's album. Henry drew the Continental Route of the trip, as evidenced by his distinctive handwriting, and then photographed the map and pasted it into Volume 10 as his number 1143. He probably copied the map from a printed one and added the longitude and latitude lines that can faintly be seen in the photograph. Henry and Julius traveled to Europe aboard the steamship Kaiser Wilhelm II to Naples, Italy and then proceeded by water to Genoa. From there they went to Milan and took a side trip to Verona and Venice, returning to Milan. | 
Description: Photographer Henry L. Rand and his cousin Julius Ross Wakefield traveled to Europe together in the summer and fall of 1896. Henry, as usual, documented the trip with this map and 87 photographs, found principally in Volume 10 of the Henry L. Rand Collection. The photographs are numbered in their titles in the order in which they appear in Rand's album. Henry drew the Continental Route of the trip, as evidenced by his distinctive handwriting, and then photographed the map and pasted it into Volume 10 as his number 1143. He probably copied the map from a printed one and added the longitude and latitude lines that can faintly be seen in the photograph. Henry and Julius traveled to Europe aboard the steamship Kaiser Wilhelm II to Naples, Italy and then proceeded by water to Genoa. From there they went to Milan and took a side trip to Verona and Venice, returning to Milan. [show more] | |||
| 6254 | Unknown Hen House |
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| Possibly Tollman | |||||
| 6717 | The Old Narraguagus House, Cherryfield, Maine |
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