The photograph was taken by unknown summer visitors and carefully preserved in an album. They were probably standing on Main Street. It is not visible from Main Street now, but the Congregational Church at 29 High Road is clearly visible in the background. The other buildings shown in the building from Left to Right: William Joseph Tower House and Barn – 38 Clark Point Road Isaac Herrick House (partially visible to left of Phillips house door) – 43 Clark Point Road Dirigo Hotel (visible just above the portico on the right side of the Phillips house – 45 Dirigo Road, burned in 1960. Southwest Harbor Congregational Church – 29 High Road
Description: The photograph was taken by unknown summer visitors and carefully preserved in an album. They were probably standing on Main Street. It is not visible from Main Street now, but the Congregational Church at 29 High Road is clearly visible in the background. The other buildings shown in the building from Left to Right: William Joseph Tower House and Barn – 38 Clark Point Road Isaac Herrick House (partially visible to left of Phillips house door) – 43 Clark Point Road Dirigo Hotel (visible just above the portico on the right side of the Phillips house – 45 Dirigo Road, burned in 1960. Southwest Harbor Congregational Church – 29 High Road [show more]
Description: Eugene was a twenty year old sailor when this photograph was taken. Possibly he arrived at the port of New London, Connecticut and was exploring?
The lobster factory is on the right and the 'Bangor Freight House" on the left. A surrey is a light, four-wheeled pleasure carriage of the late 19th and early 20th centuries, usually drawn by two horses and typically having two seats and a flat top.
Description: The lobster factory is on the right and the 'Bangor Freight House" on the left. A surrey is a light, four-wheeled pleasure carriage of the late 19th and early 20th centuries, usually drawn by two horses and typically having two seats and a flat top.
"Practically every town in Victorian America boasted a photography studio. The proprietor, whether he knew it or not, was an early chronicler of family life. Newborns, graduates, brides, grooms, and entire families posed for the camera – alongside wicker props. Ornate wicker furniture made its debut in photography studios during the 1870s. Light, airy and noticeably three-dimensional in photographs, wicker props made greater headway in studios during the 1880s and early 1900s. Because it was so inexpensive and easy to store, photographers and the public took wicker to their hearts. In fact, fancy wicker pieces became known as “photographer’s chairs.” Wicker’s popularity in studios created a new market; Heywood Brothers and Wakefield Company featured in their 1898 catalogue an extremely ornate five-legged “posing chair” specifically designed as a photographer’s prop." - "Collector’s Guide to American Wicker Furniture," by Richard Saunders, published by Hearst Books, New York, 1983, p. 43. The following pages contain photographs showing various ornate wicker chairs that were used by photographers. The chair shown in this photograph appears on pages 47 and 57. The same chair, obviously used by Southwest Harbor photographer. J.C. Ralph, appears in other photographs in the library collection.
Description: "Practically every town in Victorian America boasted a photography studio. The proprietor, whether he knew it or not, was an early chronicler of family life. Newborns, graduates, brides, grooms, and entire families posed for the camera – alongside wicker props. Ornate wicker furniture made its debut in photography studios during the 1870s. Light, airy and noticeably three-dimensional in photographs, wicker props made greater headway in studios during the 1880s and early 1900s. Because it was so inexpensive and easy to store, photographers and the public took wicker to their hearts. In fact, fancy wicker pieces became known as “photographer’s chairs.” Wicker’s popularity in studios created a new market; Heywood Brothers and Wakefield Company featured in their 1898 catalogue an extremely ornate five-legged “posing chair” specifically designed as a photographer’s prop." - "Collector’s Guide to American Wicker Furniture," by Richard Saunders, published by Hearst Books, New York, 1983, p. 43. The following pages contain photographs showing various ornate wicker chairs that were used by photographers. The chair shown in this photograph appears on pages 47 and 57. The same chair, obviously used by Southwest Harbor photographer. J.C. Ralph, appears in other photographs in the library collection. [show more]
Taken on the same day as SWHPL 6077, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937)
Description: Taken on the same day as SWHPL 6077, but with the teachers standing in different places. The identities were written on the back of SWHPL 11752, taken on the same day. The children seem to be in the same places, but the teachers are standing in different places. Researchers have identified the children, but not the order in which they appear. The children whose places are noted below may apply to one or the other of the photographs. Teachers are Luther Bridges of Blue Hill and Alice E. Mason (1879-1964). James L. Grant (1895-1981) – brother to Doris M. Grant Hall Quarry – small blonde boy, third row on right. Doris M. Grant (1899-1987) – sister to James L. Grant Hall Quarry – second row, third from left. Delma Lanpher, probably Andelman William Lanpher (1894-1969) second from left in next to last row. Others in the picture are: Stella Cookson (1892-) Martina B. Harriman (1895-1985), later Mrs. Unknown O’Brien Helen Virginia Seavey (1908-1996), later Mrs. Dyer Annie Reed Merchant Mary Richardson (1894-1946), later Mrs. Irving H. Babbbidge Clyde Linwood Ober (1896-1969) Reta Morris (1899-1966), later Mrs. Lewis Arthur Norwood Crawford S. Ober (1898-1945) Ada McCormick (1899-1966), later Mrs. Maynard Fred Jordan Louise Morris (1897-1987), later Mrs. Pearl Spencer King Addie Bernice Leslie (1898-1996), later Mrs. Guy Rupert Pontifax Stearns Miles Harriman (1892-1944) Arthur Henry Varnum (1893-1927) George E. Grindle (1899-1972) Floyd Clayton Ober (1893-1946) William “Willie” Henry Leslie (1896-1911) Nahum Varnum (1897-1906 Bob Merchant Bernard Clayton Donnell (1894-) Photographer Dr. George Neal, Southwest Harbor. Put himself through college with his photography. Made notations in his books: “Would pay if could.” “Could pay if would.” Signed, Clifton Robie Foss (1890-1937) [show more]