The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph.
Description: The church steeple is just visible between the trees to the left of the telephone pole. Rebecca Carroll's house, 7 High Road is the first house on the left. The second visible house, number 11, was built by her son, Phillip Tracy Carroll, in 1932. The third visible house, number 17, was built by builder Robie Melvin Norwood Jr. for himself in 1924. Rebecca’s daughter Nellie “Nell” Rebecca (Carroll) Thornton built at 23 High Road in 1922. Another daughter, Alice (Carroll) Young built at 38 High Road in 1907. Compare this photograph to SWHPL 6350 in which Rebecca is shown standing at about the second tree on the left in this photograph. [show more]
The large old tree behind the fence on the right is the same one that is visible in SWHPL 6361 which shows the tree in front of the house inside the corner of that fence.
Description: The large old tree behind the fence on the right is the same one that is visible in SWHPL 6361 which shows the tree in front of the house inside the corner of that fence.
George Ashbridge Rhoads (1860-1935) built Indian Lot Cottage in 1927. Three Chimneys, 141 Clark Point Road, is visible behind and to the left of the trees. With all the visual aids from SWHPL 5525, and repeated searches, archivists could not locate the rocks in the old photographs or find the exact place where the people were sitting. The rocks were probably covered or removed when the land was cleared for the cottage and drive.
Description: George Ashbridge Rhoads (1860-1935) built Indian Lot Cottage in 1927. Three Chimneys, 141 Clark Point Road, is visible behind and to the left of the trees. With all the visual aids from SWHPL 5525, and repeated searches, archivists could not locate the rocks in the old photographs or find the exact place where the people were sitting. The rocks were probably covered or removed when the land was cleared for the cottage and drive.
To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules
Description: To get this photo, I waited until late fall after the leaves were gone. I parked at the Holiday Inn which was closed for the season and walked across Route 3 to the metal guard rail along the section of road that crosses Duck Brook. Once in the ravine, I located a spot at the edge of the water that I thought had the clearest view of the bridge, and even from there I could only see two of the three arches. The left and right arches each span 89', but in the photo, the left arch is completely obscured by evergreens. I set up a tripod with a Canon 5D Mark III camera and a Canon 24mm tilt/shift lens. With the camera mounted in landscape orientation, I shifted the lens all the way down to capture the lower part of the scene and all the way up to catch the top of the bridge. Because the ravine was deep in shadow while the inner part of the center arch was in full sunlight, I had to take multiple exposures ranging from a half second to 125th second, which is seven full stops, at f/11 with ISO set to 50. Later in Lightroom and Photoshop, I stitched the lower and upper halves and manually blended the exposures. Note also that I focused on the bridge, but also took a shot focused on the large rock in the foreground and blended-in parts of that image to get more depth of field. - George Soules [show more]
The photograph of himself that Edward is holding was taken by an unknown photographer in 1974. Northwood posed for this picture standing in his front yard. His cat Misty is at the far left behind him. Northwood was 90 and Misty was 18 when this picture was taken.
Description: The photograph of himself that Edward is holding was taken by an unknown photographer in 1974. Northwood posed for this picture standing in his front yard. His cat Misty is at the far left behind him. Northwood was 90 and Misty was 18 when this picture was taken.
Illuminated by 47 volunteer light painters. The largest quarry on Swan's, Baird's Quarry provided granite for buildings in Boston and New York in the early 1900's.
Description: Illuminated by 47 volunteer light painters. The largest quarry on Swan's, Baird's Quarry provided granite for buildings in Boston and New York in the early 1900's.
Cranberry Isles, Little Cranberry Island, Islesford
Illuminated by 23 volunteer light painters. For years these boathouses had been used to build, store, and repair boats. Now all but one have been convert to private residences. There is one boathouse protecting a 100 year old 'friendship sloop' and still has the underwater rails intact.
Cranberry Isles, Little Cranberry Island, Islesford
State:
ME
Description: Illuminated by 23 volunteer light painters. For years these boathouses had been used to build, store, and repair boats. Now all but one have been convert to private residences. There is one boathouse protecting a 100 year old 'friendship sloop' and still has the underwater rails intact.
Illuminated by 30 volunteer light painters. Frenchboro's working harbor with Lunt's Dockside Deli in the foreground and the state ferry terminal with the Sunbeam in the background. The silhouette of Mount Desert is seen in the distance.
Description: Illuminated by 30 volunteer light painters. Frenchboro's working harbor with Lunt's Dockside Deli in the foreground and the state ferry terminal with the Sunbeam in the background. The silhouette of Mount Desert is seen in the distance.
Description: Illuminated by 34 volunteer light painters. Edgar's tractor was left on the beach as a memorial to Edgar Bunker who was killed in the Korean War.
Illuminated by 53 volunteer light painters. The guzzle at Moore's Harbor is a place to listen to the incoming and outgoing tides move through the scree. The fish house is the old standing structure on the island.
Description: Illuminated by 53 volunteer light painters. The guzzle at Moore's Harbor is a place to listen to the incoming and outgoing tides move through the scree. The fish house is the old standing structure on the island.