The Way Back Balls were held between 1948 and 1957, and possibly before. SWHPL #14597 shows a ticket to the Way Bak Ball in 1928 - note the different spelling. The twenty-five Sou'Westers held a Way Back (gay nineties) ball in the spring of each year during the 1950's at the VIA (Village Improvement Association) hall in Manset (the Thibodeau home in 2006). Miles Grindle talks about Wayback Balls in his recount of growing up in Northeast Harbor in the 1930's: “’Wayback Balls’ were held, when everyone dressed in old fashioned clothes, tux and top hats, long dresses, or overalls with plaid shirts. These dances were by invitation only, restricted to voting age, by a member of chartered ‘Waybackers’. The main snack, provided during intermission, was dry fish. Probably most people reading this journal have not experienced the joy of occasionally eating a piece of dry fish. The local fishermen would catch small codfish, and let the wind dry them on their boats, then strip the fish off the skin, and put them in jars. Alcohol was not allowed on the premises, but those who indulged kept their bottles in their cars.” - “The Local Boy: Growing up in Northeast Harbor, Maine in the 1930’s” by Miles Grindle, p. 29 – n.d. [2006] – Privately published – in the collection of the Southwest Harbor Public Library.
Description: The Way Back Balls were held between 1948 and 1957, and possibly before. SWHPL #14597 shows a ticket to the Way Bak Ball in 1928 - note the different spelling. The twenty-five Sou'Westers held a Way Back (gay nineties) ball in the spring of each year during the 1950's at the VIA (Village Improvement Association) hall in Manset (the Thibodeau home in 2006). Miles Grindle talks about Wayback Balls in his recount of growing up in Northeast Harbor in the 1930's: “’Wayback Balls’ were held, when everyone dressed in old fashioned clothes, tux and top hats, long dresses, or overalls with plaid shirts. These dances were by invitation only, restricted to voting age, by a member of chartered ‘Waybackers’. The main snack, provided during intermission, was dry fish. Probably most people reading this journal have not experienced the joy of occasionally eating a piece of dry fish. The local fishermen would catch small codfish, and let the wind dry them on their boats, then strip the fish off the skin, and put them in jars. Alcohol was not allowed on the premises, but those who indulged kept their bottles in their cars.” - “The Local Boy: Growing up in Northeast Harbor, Maine in the 1930’s” by Miles Grindle, p. 29 – n.d. [2006] – Privately published – in the collection of the Southwest Harbor Public Library. [show more]
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
United States Postal Service
1920
Plymouth MA
Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885)
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
Publisher:
United States Postal Service
Date:
1920
Place:
Plymouth MA
State:
MA
Source:
Southwest Harbor Public Library Collection of Photographs
Description: Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885) [show more]
Rebecca, an attractive and lively teenager, was 15 years old at the time of this dance. Judging from her scrapbook she seems to have enjoyed all the social events of her time and wrote on this ticket, "Wonderful Time."
Description: Rebecca, an attractive and lively teenager, was 15 years old at the time of this dance. Judging from her scrapbook she seems to have enjoyed all the social events of her time and wrote on this ticket, "Wonderful Time."