Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
United States Postal Service
1920
Plymouth MA
Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885)
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
Publisher:
United States Postal Service
Date:
1920
Place:
Plymouth MA
State:
MA
Source:
Southwest Harbor Public Library Collection of Photographs
Description: Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885) [show more]
Date: Circa 1920 Size: 5.5” x 3.5” Media: Tinted half-tone Subject: “Lone Pine” on Robinson Mountain Photographer: Unknown Publisher: W.H. Sherman, Bar Harbor, Maine Original Printer: Curt Teich Co. – under C.T. American Art name Divided Back: Y Bordered: Y Mailed: N Number: 82548 Postmarked: N The photograph was not printed in register, but the image has become a classic.
Description: Date: Circa 1920 Size: 5.5” x 3.5” Media: Tinted half-tone Subject: “Lone Pine” on Robinson Mountain Photographer: Unknown Publisher: W.H. Sherman, Bar Harbor, Maine Original Printer: Curt Teich Co. – under C.T. American Art name Divided Back: Y Bordered: Y Mailed: N Number: 82548 Postmarked: N The photograph was not printed in register, but the image has become a classic.
Son of James and Octavia. Married Edith Marie Rumill. Live in Southwest Harbor, Maine in the 1930s and 1940s. Electrical engineer and building contractor.
Description: Son of James and Octavia. Married Edith Marie Rumill. Live in Southwest Harbor, Maine in the 1930s and 1940s. Electrical engineer and building contractor.
The Whitmore and Dole families are both connected to Southwest Harbor, Maine. This is the story of what happened when archivists tried to connect them to Pineapple Upside Down Cake.
Description: The Whitmore and Dole families are both connected to Southwest Harbor, Maine. This is the story of what happened when archivists tried to connect them to Pineapple Upside Down Cake.
"Northern Light" was wrecked on the Rockland Breakwater in 1926. The photograph shows two schooners - a smaller one, a wrecking schooner, with another two masts, is behind and to the right of "Northern Light." On board "Northern Light" one can see at least one man in the crow's nest, one on board and two men hanging off the bowsprit. The vessel is being stripped of anything salvageable.
Description: "Northern Light" was wrecked on the Rockland Breakwater in 1926. The photograph shows two schooners - a smaller one, a wrecking schooner, with another two masts, is behind and to the right of "Northern Light." On board "Northern Light" one can see at least one man in the crow's nest, one on board and two men hanging off the bowsprit. The vessel is being stripped of anything salvageable.
Rebecca, an attractive and lively teenager, was 15 years old at the time of this dance. Judging from her scrapbook she seems to have enjoyed all the social events of her time and wrote on this ticket, "Wonderful Time."
Description: Rebecca, an attractive and lively teenager, was 15 years old at the time of this dance. Judging from her scrapbook she seems to have enjoyed all the social events of her time and wrote on this ticket, "Wonderful Time."
At 18 months old, Eleanor is sitting on the lumber that her father was using to build the Mayo house on Wesley Avenue. The house in the background no longer exists, but was on the corner of Main Street and Wesley Avenue. Part of the Carroll building is visible to the left.
Description: At 18 months old, Eleanor is sitting on the lumber that her father was using to build the Mayo house on Wesley Avenue. The house in the background no longer exists, but was on the corner of Main Street and Wesley Avenue. Part of the Carroll building is visible to the left.