See “Bygone Bar Harbor: A Postcard Tour of Mount Desert Island and Acadia National Park” by Earl Brechlin, p. 29 - 2002 See online - “Blair Eyrie 1894-1917”, Garden Club of America Collection, Smithsonian Archives, July 2002, Accessed online 02/12/20010; http://siris-archives.si.edu/ipac20/ipac.jsp?uri=full=3100001~!246644!0 See - “American Country Homes and Their Gardens” By John Cordis Baker, 1906, Chapter – “Garden at Blair Eyrie, The Estate of DeWitt Clinton Blair, Esq., Bar Harbor, Me. - Andrews Jaques & Rantoul Architects” - p. 13. Published for W.H. Sherman, Bar Harbor, Maine.
Description: See “Bygone Bar Harbor: A Postcard Tour of Mount Desert Island and Acadia National Park” by Earl Brechlin, p. 29 - 2002 See online - “Blair Eyrie 1894-1917”, Garden Club of America Collection, Smithsonian Archives, July 2002, Accessed online 02/12/20010; http://siris-archives.si.edu/ipac20/ipac.jsp?uri=full=3100001~!246644!0 See - “American Country Homes and Their Gardens” By John Cordis Baker, 1906, Chapter – “Garden at Blair Eyrie, The Estate of DeWitt Clinton Blair, Esq., Bar Harbor, Me. - Andrews Jaques & Rantoul Architects” - p. 13. Published for W.H. Sherman, Bar Harbor, Maine. [show more]
The parts played in the formation and activities of the Old Cambridge Photography Club by those who summered or designed cottages in Southwest Harbor, Maine: Alice Carpenter Allyn, Henry Lathrop Rand, and other Southwest Harborians
Description: The parts played in the formation and activities of the Old Cambridge Photography Club by those who summered or designed cottages in Southwest Harbor, Maine: Alice Carpenter Allyn, Henry Lathrop Rand, and other Southwest Harborians
Media: Rotary Press-Bureau of Engraving and Printing Color: Blue green Size: 1.5625" x 1" Country: United States Postage Value: 3 Cents Issue Origin: To commemorate the 150th anniversary if the launching of the U.S. Frigate Constitution Issue Date: October 21, 1947 Issue Location: Charlestown Navy Yard, Boston, Massachusetts Issue Size: 131,488,000
Description: Media: Rotary Press-Bureau of Engraving and Printing Color: Blue green Size: 1.5625" x 1" Country: United States Postage Value: 3 Cents Issue Origin: To commemorate the 150th anniversary if the launching of the U.S. Frigate Constitution Issue Date: October 21, 1947 Issue Location: Charlestown Navy Yard, Boston, Massachusetts Issue Size: 131,488,000
Title: USS Constitution - The War of 1812 Scott Cat. Number: 4703 Subject: War of 1812 Artist: Includes c. 1803 painting by Michele Felice Cornè Designer: Greg Breeding Art Director: Greg Breeding Typographer: Greg Breeding Media: Photogravure - Avery Dennison Color: Multicolor - Yellow, Magenta, Cyan, Black, 7506 (Tan) Size: 1.560" x 1.225" Country: United States Postage Value: 45 Cents Issue Series: Bicentennial of the War of 1812 - 1st in series Issue Origin: To commemorate the bicentennial of the War of 1812. Issue Date: August 18, 2012 Issue Location: Charleston Navy Yard, Boston, Massachusetts Issue Size: 25,000,000
Southwest Harbor Public Library Collection of Photographs
Tags:
boat, ship
Description: Title: USS Constitution - The War of 1812 Scott Cat. Number: 4703 Subject: War of 1812 Artist: Includes c. 1803 painting by Michele Felice Cornè Designer: Greg Breeding Art Director: Greg Breeding Typographer: Greg Breeding Media: Photogravure - Avery Dennison Color: Multicolor - Yellow, Magenta, Cyan, Black, 7506 (Tan) Size: 1.560" x 1.225" Country: United States Postage Value: 45 Cents Issue Series: Bicentennial of the War of 1812 - 1st in series Issue Origin: To commemorate the bicentennial of the War of 1812. Issue Date: August 18, 2012 Issue Location: Charleston Navy Yard, Boston, Massachusetts Issue Size: 25,000,000 [show more]
Postage Stamp Title: Charles W. Eliot Scott Cat. Number: 871 Subject: Eliot – Charles William Eliot (1834-1926) Design: William A. Roach (1888-1969) Engravers - Lettering: William B. Wells (1874-1942) and James T. Vail (1907-) Engraver – Portrait: Roberts - Gilroy Roberts (1905-1992) Engraver – Frame: Arlt - Carl Theodore Arlt (1883-1958) Media: Rotary Press Printer: United States Bureau of Engraving and Printing Color: Bright red violet Size: 1” x 1.0625” Country: United States Postage Value: 3 cents Issue Series: Famous American Educators Issue Origin: American educators Issue Date: March 28, 1940 Issue Location: Cambridge, Massachusetts Issue Size: 51,636,270 The third group in the Famous Americans Series honors five American educators — Horace Mann, Mark Hopkins, Charles W. Eliot, Frances E. Willard, and Booker T. Washington. The issues appeared between March 14 and April 7, 1940. The five stamps were issued in the birth order of their honorees. The “Lamp of Knowledge” shown on the stamp was the symbol designated by the United States Postal Service to indicate an educator.
Description: Postage Stamp Title: Charles W. Eliot Scott Cat. Number: 871 Subject: Eliot – Charles William Eliot (1834-1926) Design: William A. Roach (1888-1969) Engravers - Lettering: William B. Wells (1874-1942) and James T. Vail (1907-) Engraver – Portrait: Roberts - Gilroy Roberts (1905-1992) Engraver – Frame: Arlt - Carl Theodore Arlt (1883-1958) Media: Rotary Press Printer: United States Bureau of Engraving and Printing Color: Bright red violet Size: 1” x 1.0625” Country: United States Postage Value: 3 cents Issue Series: Famous American Educators Issue Origin: American educators Issue Date: March 28, 1940 Issue Location: Cambridge, Massachusetts Issue Size: 51,636,270 The third group in the Famous Americans Series honors five American educators — Horace Mann, Mark Hopkins, Charles W. Eliot, Frances E. Willard, and Booker T. Washington. The issues appeared between March 14 and April 7, 1940. The five stamps were issued in the birth order of their honorees. The “Lamp of Knowledge” shown on the stamp was the symbol designated by the United States Postal Service to indicate an educator. [show more]
Postage Stamp Title: Jack London Scott Cat. Number: 2182 Subject: London - John Griffith London (1876-1916) Design: Richard Sparks of Norwalk, Connecticut, under the direction of Howard Paine, a design coordinator for the Citizens’ Advisory Committee. Artist – vignette: Sharpe - Jim Sharpe (1936-2005) Typographer: Bradbury Thompson Engraver - vignette: Hipschen – Thomas R. Hipschen (1950-) Engraver – lettering and numerals: Dennis Brown Media: Intaglio Printer: Bureau of Engraving and Printing Color: Blue Size: 18.03 mm x 20.82 mm Country: United States Postage Value: 25 cents Issue Series: 27th in the Great American Series Issue Origin: Jack London’s 110th birthday Issue Date: January 11, 1988 Issue Location: Glen Ellen, California – location of London’s Wolf House estate, now the Jack London State Historic Park. Issue Size: 59,850,000 Richard Sparks based his design on a photograph of London taken in 1914 by the author’s wife, Charmian. Kittredge – Charmian (Kittredge) London (1871-1955) See: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885).
Description: Postage Stamp Title: Jack London Scott Cat. Number: 2182 Subject: London - John Griffith London (1876-1916) Design: Richard Sparks of Norwalk, Connecticut, under the direction of Howard Paine, a design coordinator for the Citizens’ Advisory Committee. Artist – vignette: Sharpe - Jim Sharpe (1936-2005) Typographer: Bradbury Thompson Engraver - vignette: Hipschen – Thomas R. Hipschen (1950-) Engraver – lettering and numerals: Dennis Brown Media: Intaglio Printer: Bureau of Engraving and Printing Color: Blue Size: 18.03 mm x 20.82 mm Country: United States Postage Value: 25 cents Issue Series: 27th in the Great American Series Issue Origin: Jack London’s 110th birthday Issue Date: January 11, 1988 Issue Location: Glen Ellen, California – location of London’s Wolf House estate, now the Jack London State Historic Park. Issue Size: 59,850,000 Richard Sparks based his design on a photograph of London taken in 1914 by the author’s wife, Charmian. Kittredge – Charmian (Kittredge) London (1871-1955) See: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885). [show more]
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
United States Postal Service
1920
Plymouth MA
Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885)
Smillie - George Frederick Cumming Smillie (1854-1924)
Weeks - Edward Mitchell Weeks (1866-1959)
Publisher:
United States Postal Service
Date:
1920
Place:
Plymouth MA
State:
MA
Source:
Southwest Harbor Public Library Collection of Photographs
Description: Engraved postage stamp Vessel: Pilgrim Shallop - Shallop Title: Pilgrim Tercentenary 1620-1920 – Landing of the Pilgrims Scott Cat. Number: 549 Subject: Pilgrim Landing 1620 Media: Flat plate engraving Designer: Huston - Clair Aubrey Huston (1857-1938) Design Inspiration - art: White – Edwin White (1817-1877) Design Inspiration – engraving: Burt – Charles Kennedy Burt (1823-1892) Vignette Engraver: Smillie – George Frederick Cumming Smillie (1854-1924) Letter Engraver: Edward Mitchell Weeks (1866-1959) Frame Engraver: Louis Sartain Schofield (1868-1938) Printer: United States Bureau of Engraving and Printing Color: Carmine Rose Size: 1” x 1.25” Country: United States Postage Value: 2 cents Issue Series: 2nd in the Pilgrim Tercentennial Series. Issue Origin: The Pilgrim Tercentennial was a national celebration from December 1920 to the summer of 1921. Issue Date: December 21, 1920 Issue Location: Plymouth, Massachusetts Issue Size: 196,037,327 See Also: "The Engraver’s Line: An Encyclopedia of Paper Money & Postage Stamp Art" by Gene Hessler, BNR Press, Port Clinton, Ohio, 1993. Page 4 and 5 explain the production steps taken to turn original art into an engraved postage stamp. Worth reading as the engraver works from the beginning on a plate of about 3.5” x 4,” engraving a stamp at its finished size. Engraving is used for very few stamps today and, when one reads about the process, one can understand why. The author even provides particular engraver’s recipes for the acid they used, including that of James Smillie, the famous landscape engraver. Smillie - James Smillie (1807-1885) [show more]
Topography by A.J. Ogle, Frank Larner, B.P. Taylor, J.L. Watkins, F.E. Doane, H.D. Cummings, J.H. Lycett, B.J. Keating, R.S. Pearse, R.V. Ford and Steven T. Mank, surveyed in 1934-35 and 1939-40.
Description: Topography by A.J. Ogle, Frank Larner, B.P. Taylor, J.L. Watkins, F.E. Doane, H.D. Cummings, J.H. Lycett, B.J. Keating, R.S. Pearse, R.V. Ford and Steven T. Mank, surveyed in 1934-35 and 1939-40.
Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf
Description: Original Artist: Rothermel - Peter Frederick Rothermel (1817-1895) Engraver: Andrews - Joseph Andrews (1806-1873) Engraving Printer: Miller - William M. Miller (1824-after 1894) Digital copy of a print made from an etching and engraving on steel. Pilgrims shown in the engraving landing at Plymouth in November 1620, as described by Mantle Fielding: Myles Standish standing on the rock assisting his wife, Rose, about to step off the boat. Isaac Allerton standing in the center of the shallop grasping a long pole to steady the boat. Behind Allerton is William Bradford at the stern of the boat pulling the ropes that hold the boat. Edward Winslow next to Bradford is gazing at the scene before him. Mrs. Allerton and her daughter Mary are following Rose Standish off the boat. John Howland stands in the water at the foreground, holding the rope at the bow of the boat. Stephen Hopkins is at the stern of the boat taking a turn of the stern rope around a jutting point. Elder William Brewster is on the shore in an attitude of thanksgiving surrounded by Mrs. White holding her infant son, Peregrine, and Mary Chilton. See: "The Pennsylvania Magazine of History and Biography," Volume 31, Historical Society of Pennsylvania, 1907, "Joseph Andrews," by Mantle Fielding, p. 110-112. Myles Standish (c.1584-1656) Rose (Unknown) Standish (-1621) Issac Allerton (c.1586-1658/9) William Bradford (c.1590-1657) Edward Winslow (1595-1655) Mary (Norris) Allerton (c.1590-1621) – Mrs. Isaac Allerton Mary Allerton (c.1616-1699) John Howland (c.1591-1672/3) Stephen Hopkins (1581-1644) William Brewster (c.1566-1644) Susannna (Unknown) White (c.1595-1654-1675) – Mrs. William White Peregrine White (1620-1704) Mary Chilton (1607-1679) See: The Mayflower and Mount Desert Island – Stanley.pdf [show more]
Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
ship, engraving, child, woman, hat, man, people, boat
Description: Bureau of Engraving and Printing engraved vignette Landing of the Pilgrims. Digital copy of a print made from an etching and engraving on steel. Original Artist: White – Edwin White (1817-1877) Engraver: Burt – Charles Kennedy Burt (1823-1892) Engraving Printer: Bureau of Engraving and Printing
This book of W.H. Ballard photographs, from the collection of the Southwest Harbor Public Library, compiles images from the Ballard exhibit displayed in the library from June 30, 2013 - July 26, 2013. The book images that are less well known than Ballard's famous postcards and scenic views of Mount Desert Island and Acadia National Park. Written and edited by Meredith Hutchins Designed and produced by Charlotte R. Morrill Research by Meredith Hutchins and Charlotte R. Morrill
Description: This book of W.H. Ballard photographs, from the collection of the Southwest Harbor Public Library, compiles images from the Ballard exhibit displayed in the library from June 30, 2013 - July 26, 2013. The book images that are less well known than Ballard's famous postcards and scenic views of Mount Desert Island and Acadia National Park. Written and edited by Meredith Hutchins Designed and produced by Charlotte R. Morrill Research by Meredith Hutchins and Charlotte R. Morrill [show more]
Published in honor of the 200th anniversary of the Battle of Norwood's Cove which took place on August 9, 1914. The book describes how the events appeared to those Mainers who participated in the battle, and how those events became part of the local historical narrative.
Description: Published in honor of the 200th anniversary of the Battle of Norwood's Cove which took place on August 9, 1914. The book describes how the events appeared to those Mainers who participated in the battle, and how those events became part of the local historical narrative.