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| Item | Title | Type | Subject | Creator | Publisher | Date | Place | Address | Description | |
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| 15210 | Interior Panorama of 1932 Criterion Theatre |
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| George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier. | 
Description: George Soules photographed the interior of the Criterion from the balcony with a Canon 5D Mark III DSLR and a Canon 24mm tilt/shift lens using available light, which there was little of. To the naked eye, the space does not look nearly this bright. The first image (angle view) is a four-slice panorama with a 140° field of view. It is a composite of 12 different frames. The second image (straight-on view) is a six-slice panorama with a 190° field of view. It is a composite of 18 different frames. Both images were shot at f/8, ISO 400, with three different exposures for each slice. Exposures ranged from 10 seconds for the main room to 1/25th second for the chandelier. [show more] | ||
| 15222 | Panorama of Southwest Harbor in Winter |
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| "I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules | 
Description: "I captured this scene from the end of the Manset Town dock. Though the view appears very wide, it's only about 90° from end to end. It seems wider because I shot it with a 200mm lens to get the detail along the shore with minimal water and sky. I stitched the panorama from 17 separate images taken left to right, each frame rotated 5° to the right of the previous one. Yesterday I saw this same scene while driving around to take the pictures posted here, but when I arrived at this spot the sun was too high and I didn't have my tripod with me. This morning I got up before dawn and set up my tripod on the snow-covered dock at 6:15 AM. Then I waited in the bitter cold for the sun to rise. Fresh snow that fell last night made the scene even better than it was yesterday. Sometimes it just works out that way. " -- George Soules [show more] | ||
| 15224 | Panorama of Sea Ledges |
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| With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°. | 
Description: With kind permission from the owners, George Soules made this panorama below on the summer solstice at 5:23 AM. He used a Canon 5D Mark III digital SLR camera and a Canon 45mm f/2.8 tilt/shift lens shooting 1/125 sec, f/5.6 at ISO 100. The pano is a combination of 16 images stitched together to capture a view of approximately 270°. | |
| 15336 | Bar Harbor and the Porcupine Islands from the Pulpit Rock Trail, Acadia National Park |
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| I was inspired to take this photograph by Ballard's image (item 11895) of this same scene. -- George Soules | 
Description: I was inspired to take this photograph by Ballard's image (item 11895) of this same scene. -- George Soules | |
| 15361 | Winter View of the Underwood Factory in Bass Harbor from Bernard |
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| The cannery was housed in the brick building at left (now Hopkins Landing condominiums). | 
Description: The cannery was housed in the brick building at left (now Hopkins Landing condominiums). | ||
| 15385 | The Carroll Sargent Tyson Jr. Cottage |
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| 15520 | Digital Archive Debut |
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| From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation. | 
Description: From left to right, George Soules, Ralph Stanley, and Charlotte Morrill pose for this photo following George and Charlotte's presentation of the debut of the Digital Archive in the Holmes Room at the Southwest Harbor Public Library. The second photo is of George during his presentation. | ||
| 12667 | Robert Lindsay Smallidge Jr. and Grandson at The Mountain House |
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| Robert was a Carroll descendent. | 
Description: Robert was a Carroll descendent. | ||
| 12693 | Ralph Warren Stanley (1929-2021) |
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| 12455 | Creation - Tiffany Stained Glass Window depicting Great Head, Mount Desert, Maine |
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| In 1922 Louisa Pierpont (Morgan) Satterlee commissioned a stained glass window depicting Great Head, Mount Desert Island, Maine from Louis Comfort Tiffany. She gave it to the Church of the Holy Innocents, Highland Falls, New York, in memory of her father, J.P. Morgan. "The Louis Comfort Tiffany-signed window, entitled "Creation," was installed in the church's chancel in 1922. It was the gift of Louisa in memory of her father. It states the opening to the Benedicite hymn of praise: "O all ye works of the Lord, bless ye the Lord: praise him and magnify him forever." It depicts massive Great Head and the sun rising above the ocean's horizon." – “The Satterlee Window” by Don Lenahan, Memorials of Acadia National Park site, 04/15/2013, Accessed online 09/25/15; http://acadiamemorials.blogspot.com/2013/04/the-satterlee-window-during-my-research.html The church, in which her father had been an active member, is near Cragston, the Morgan estate on the banks of the Hudson River, just south of West Point. Holy Innocents is on Church Street a few doors north of Cozzens Avenue, about a block west of the U.S. Military Academy Visitors Center. The Main entrance is at 401 Main Street practically across from the Visitors Center. | 
Description: In 1922 Louisa Pierpont (Morgan) Satterlee commissioned a stained glass window depicting Great Head, Mount Desert Island, Maine from Louis Comfort Tiffany. She gave it to the Church of the Holy Innocents, Highland Falls, New York, in memory of her father, J.P. Morgan. "The Louis Comfort Tiffany-signed window, entitled "Creation," was installed in the church's chancel in 1922. It was the gift of Louisa in memory of her father. It states the opening to the Benedicite hymn of praise: "O all ye works of the Lord, bless ye the Lord: praise him and magnify him forever." It depicts massive Great Head and the sun rising above the ocean's horizon." – “The Satterlee Window” by Don Lenahan, Memorials of Acadia National Park site, 04/15/2013, Accessed online 09/25/15; http://acadiamemorials.blogspot.com/2013/04/the-satterlee-window-during-my-research.html The church, in which her father had been an active member, is near Cragston, the Morgan estate on the banks of the Hudson River, just south of West Point. Holy Innocents is on Church Street a few doors north of Cozzens Avenue, about a block west of the U.S. Military Academy Visitors Center. The Main entrance is at 401 Main Street practically across from the Visitors Center. [show more] | ||||
| 11761 | Ralph Warren Stanley as an 18th Century Dancing Master |
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| This photograph of Ralph as a dancing master was taken and stylized by Jeff Dobbs as cover art for "Dancing at the Mill" - Life on Mount Desert Island from the mid-1700s through the late 1940s. Produced by Jeff Dobbs and Bing Miller of Dobbs Productions, written by Gunnar Hansen, Documentary Video, August 2011. The photographs were taken in an old barn near Kennebec Place in Bar Harbor. | 
Description: This photograph of Ralph as a dancing master was taken and stylized by Jeff Dobbs as cover art for "Dancing at the Mill" - Life on Mount Desert Island from the mid-1700s through the late 1940s. Produced by Jeff Dobbs and Bing Miller of Dobbs Productions, written by Gunnar Hansen, Documentary Video, August 2011. The photographs were taken in an old barn near Kennebec Place in Bar Harbor. | ||
| 12716 | Rhododendron - "Edward S. Rand" |
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| 10432 | The William Doane Stanley / Ralph Warren Stanley House |
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| 10734 | Ralph Warren Stanley Aboard Lobster Boat Seven Girls |
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| 6520 | Stanley Fish & Lobster Co. Sign |
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| 10158 | Douglas Stuart Diehl's Cottage, Journey's End With New Dormers |
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| Originally Albert Wilson Bee's Cottage, "Sleepy Hollow By-the-Sound" | 
Description: Originally Albert Wilson Bee's Cottage, "Sleepy Hollow By-the-Sound" | |
| 9254 | Remains of Robert Kaighn's Summit Shelter on Bernard Mountain |
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| Robert Kaighn originally owned the top of Western Mountain and hiked during his time on the island. "This is a photo I took of what has been termed Kaighn's "rustic summerhouse" on top of Bernard Mountain. He owned the land from the West Peak to Great Notch, which he later gave to the Hancock County Trustees of Public Reservations. Note the four iron spikes outlining a square and a iron ring in the middle. If this is in fact his rustic summer house, then it was nothing more than a hut or shelter, given its small size. There was a path named for Robert Kaighn on top of Bernard Mountain. I haven't yet found that path, altho I did "discover" another old abandoned one called the Spring Trail from which it branched." - Don Lenahan 2009 | 
Description: Robert Kaighn originally owned the top of Western Mountain and hiked during his time on the island. "This is a photo I took of what has been termed Kaighn's "rustic summerhouse" on top of Bernard Mountain. He owned the land from the West Peak to Great Notch, which he later gave to the Hancock County Trustees of Public Reservations. Note the four iron spikes outlining a square and a iron ring in the middle. If this is in fact his rustic summer house, then it was nothing more than a hut or shelter, given its small size. There was a path named for Robert Kaighn on top of Bernard Mountain. I haven't yet found that path, altho I did "discover" another old abandoned one called the Spring Trail from which it branched." - Don Lenahan 2009 [show more] | |
| 9256 | Gravestone of Henry Lathrop and Marion Quincy Winslow Rand |
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| 11896 | Bar Harbor and the Porcupine Islands from the Pulpit Rock Trail, Acadia National Park |
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| This photo was taken from almost the same spot as a photo by W.H Ballard in October 1935. See Item 11895 for the Ballard photo. The cruise ship in the distance is the "MS Maasdam," a Holland America cruise ship built in 1993 by Italy’s Fincantieri Shipyards. She was named for a dam located on the Maas River in the Netherlands. “Maasdam” is an S class 10 deck cruise ship, 721.78’ long, 101.50 beam, 131.23’ high with a 24.93’ draught. She carries a crew of 580 and 1,258 passengers at a speed of 22 knots. | 
Description: This photo was taken from almost the same spot as a photo by W.H Ballard in October 1935. See Item 11895 for the Ballard photo. The cruise ship in the distance is the "MS Maasdam," a Holland America cruise ship built in 1993 by Italy’s Fincantieri Shipyards. She was named for a dam located on the Maas River in the Netherlands. “Maasdam” is an S class 10 deck cruise ship, 721.78’ long, 101.50 beam, 131.23’ high with a 24.93’ draught. She carries a crew of 580 and 1,258 passengers at a speed of 22 knots. [show more] | |
| 11898 | Eagle Lake from the North End at Nick's Cove |
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| 11899 | Eagle Lake from the North End at Nick's Cove |
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| 12454 | Great Head at Acadia National Park |
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| 10722 | Peter Warren Peterson Reading in the Stacks |
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| 11104 | Peter Warren Peterson Reading in the Stacks |
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| 11106 | Peter Warren Peterson Writing at the Southwest Harbor Public Library |
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